Jump to content

File:John Oates (1984 RCA publicity photo).jpg

Page contents not supported in other languages.
This is a file from the Wikimedia Commons
From Wikipedia, the free encyclopedia

Original file (870 × 946 pixels, file size: 134 KB, MIME type: image/jpeg)

Summary

Description
English: Vocalist John Oates of musical duo Hall & Oates, in a 1984 publicity photo for their album Big Bam Boom.
Date
Source ebay, Archive, eil.com, Worthpoint
Author Jean Pagliuso; Distributed by RCA Records
Permission
(Reusing this file)
English: No permission is required for the following reasons:
  1. A search was conducted through the U.S. Copyright Office public catalog, and there is NO record that this was subsequently registered within 5 years of publication. As such, the opportunity for copyright protection on the photo was forfeited and it entered the public domain.
  2. The source images linked above are mechanical scans of the underlying public domain work. These scans are faithful reproductions of the photograph that do not meet the threshold of originality necessary to assert a copyright interest.

English: This is a publicity still taken and publicly distributed to promote the subject or a work relating to the subject.
  • As stated by film production expert Eve Light Honathaner in The Complete Film Production Handbook (Focal Press, 2001, p. 211.):
    "Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."
  • Nancy Wolff, in The Professional Photographer's Legal Handbook (Allworth Communications, 2007, p. 55.), notes:
    "There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them."
  • Film industry author Gerald Mast, in Film Study and the Copyright Law (1989, p. 87), writes:
    "According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."
  • Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference of cinema scholars and editors[1], that:
    "[The conference] expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements... [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."

Licensing

This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain
This work is in the public domain because it was published in the United States between 1978 and March 1, 1989 without a copyright notice, and its copyright was not subsequently registered with the U.S. Copyright Office within 5 years.

Deutsch  English  español  français  italiano  日本語  한국어  македонски  português  português do Brasil  русский  sicilianu  slovenščina  中文  中文(简体)  中文(繁體)  中文(臺灣)  +/−


This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag.


Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag.
Is this work in the public domain in my country?
China Not public domain until 2035
India Not public domain until 2045
Iran Not public domain until 2035
Iraq Public domain
Israel Not public domain until 2034
Japan Not public domain until 2035
Pakistan Not public domain until 2035
Philippines Not public domain until 2035
Taiwan Island Not public domain until 2035
Vietnam Not public domain until 2060
European Union, all countries, unless listed below Not public domain until 2055
Finland Not public domain until 2034
Italy Public domain
Albania Not public domain until 2055
Andorra Not public domain until 2055
Russia Not public domain until 2055
Switzerland Not public domain until 2055
Turkey Not public domain until 2055
Canada Not public domain until 2035
United States of America Public domain
Australia Not public domain until 2055
New Zealand Not public domain until 2035
Argentina Public domain
Chile Not public domain until 2055
Peru Not public domain until 2055
Venezuela Not public domain until 2045

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current03:53, 28 October 2023Thumbnail for version as of 03:53, 28 October 2023870 × 946 (134 KB)PascalHDno watermark
03:51, 28 October 2023Thumbnail for version as of 03:51, 28 October 2023776 × 1,000 (66 KB)PascalHDfront
03:50, 28 October 2023Thumbnail for version as of 03:50, 28 October 2023776 × 1,000 (13 KB)PascalHDUploaded a work by Jean Pagliuso (photographer). Distributed by RCA Records. from https://www.ebay.com/itm/204434309155 with UploadWizard

The following page uses this file: