Named for the siege of Sevastopol during the Crimean War, the ship was commissioned into the First Pacific Squadron of the Russian Pacific Fleet and was stationed at Port Arthur (today Lüshunkou District, Dalian, Liaoning, China), a Russian naval base acquired from China in 1898 as part of the Kwantung Leased Territory. One of the first ships to use Harvey nickel-steel armor and Popov radios, she displaced 11,854 long tons (12,044 t) at full load and was 369 feet (112.5 m) long overall, and mounted a main battery of four 12-inch (305 mm) guns in two twin turrets. She was laid down in May 1892, launched on 1 June 1895 and completed in 1899. Her sea trials lasted until 1900. (Full article...)
Rimsky-Korsakov believed in developing a nationalistic style of classical music, as did his fellow composer Mily Balakirev and the critic Vladimir Stasov. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. Rimsky-Korsakov's techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner. (Full article...)
In mid- to late-19th-century Russia, Pyotr Ilyich Tchaikovsky and a group of composers known as The Five had differing opinions as to whether Russian classical music should be composed following Western or native practices. Tchaikovsky wanted to write professional compositions of such quality that they would stand up to Western scrutiny and thus transcend national barriers, yet remain distinctively Russian in melody, rhythm and other compositional characteristics. The Five, made up of composers Mily Balakirev, Alexander Borodin, César Cui, Modest Mussorgsky, and Nikolai Rimsky-Korsakov, sought to produce a specifically Russian kind of art music, rather than one that imitated older European music or relied on European-style conservatory training. While Tchaikovsky himself used folk songs in some of his works, for the most part he tried to follow Western practices of composition, especially in terms of tonality and tonal progression. Also, unlike Tchaikovsky, none of The Five were academically trained in composition; in fact, their leader, Balakirev, considered academicism a threat to musical imagination. Along with critic Vladimir Stasov, who supported The Five, Balakirev attacked relentlessly both the Saint Petersburg Conservatory, from which Tchaikovsky had graduated, and its founder Anton Rubinstein, orally and in print.
As Tchaikovsky had become Rubinstein's best-known student, he was initially considered by association as a natural target for attack, especially as fodder for Cui's printed critical reviews. This attitude changed slightly when Rubinstein left the Saint Petersburg musical scene in 1867. In 1869 Tchaikovsky entered into a working relationship with Balakirev; the result was Tchaikovsky's first recognized masterpiece, the fantasy-overture Romeo and Juliet, a work which The Five wholeheartedly embraced. When Tchaikovsky wrote a positive review of Rimsky-Korsakov's Fantasy on Serbian Themes he was welcomed into the circle, despite concerns about the academic nature of his musical background. The finale of his Second Symphony, nicknamed the Little Russian, was also received enthusiastically by the group on its first performance in 1872. (Full article...)
The region that formed the TDFR had been part of the Russian Empire. As the empire dissolved during the 1917 February Revolution and a provisional government took over, a similar body, called the Special Transcaucasian Committee (Ozakom), did the same in the Caucasus. After the October Revolution and rise of the Bolsheviks in Russia, the Transcaucasian Commissariat replaced the Ozakom. In March 1918, as the First World War continued, the Commissariat initiated peace talks with the Ottoman Empire, which had invaded the region, but the talks broke down quickly as the Ottomans refused to accept the authority of the Commissariat. The Treaty of Brest-Litovsk, which ended Russia's involvement in the war, conceded parts of the Transcaucasus to the Ottoman Empire, which pursued its invasion to take control of the territory. Faced with this imminent threat, on 22 April 1918 the Commissariat dissolved itself and established the TDFR as an independent state. A legislature, the Seim, was formed to direct negotiations with the Ottoman Empire, which had immediately recognized the state. (Full article...)
A Finnish Maxim M/09-21 machine gun crew during the Winter War
The Winter War was a war between the Soviet Union and Finland. It began with a Soviet invasion of Finland on 30 November 1939, three months after the outbreak of World War II, and ended three and a half months later with the Moscow Peace Treaty on 13 March 1940. Despite superior military strength, especially in tanks and aircraft, the Soviet Union suffered severe losses and initially made little headway. The League of Nations deemed the attack illegal and expelled the Soviet Union from its organization.
The Soviets made several demands, including that Finland cede substantial border territories in exchange for land elsewhere, claiming security reasons – primarily the protection of Leningrad, 32 km (20 mi) from the Finnish border. When Finland refused, the Soviets invaded. Most sources conclude that the Soviet Union had intended to conquer all of Finland, and cite the establishment of the puppet Finnish Communist government and the Molotov–Ribbentrop Pact's secret protocols as evidence of this, while other sources argue against the idea of a full Soviet conquest. Finland repelled Soviet attacks for more than two months and inflicted substantial losses on the invaders in temperatures as low as −43 °C (−45 °F). The battles focused mainly on Taipale along the Karelian Isthmus, on Kollaa in Ladoga Karelia and on Raate Road in Kainuu, but there were also battles in Lapland and North Karelia. (Full article...)
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Soviet and German deployments near Prokhorovka on the eve of the engagement of 12 July. Positions of the II SS-Panzer Corps are in blue; the red dashed line shows the position of Soviet forces directly opposing the SS-Panzer Corps. The black dashed line is the railway running from Prokhorovka southwest through the Psel corridor (the strip of land between the Psel River and a tributary of the Northern Donets River).
In April 1943, the German leadership began preparing for Operation Citadel, with the objective of enveloping and destroying the Soviet forces in the Kursk salient by attacking and breaking through the base of the salient from north and south simultaneously. The German offensive was delayed several times because of the vacillation of the leadership (Hitler repeatedly delayed launching the attack so that more Tiger tanks could be delivered to the front, hoping that a technical advantage would help him win the offensive) and the addition of more forces and new equipment. The Soviet high command, Stavka, had learned of the German intentions and so used the delay to prepare a series of defensive belts along the routes of the planned German offensive. The Soviet leadership also massed several armies deep behind their defences as the Stavka Reserve. The army group, the Steppe Front, was to launch counteroffensives once the German strength had dissipated. The 5th Guards Tank Army was the primary armoured formation of the Steppe Front. (Full article...)
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With the pale yellow rump visible. Buryatia, Russia.
Pallas's leaf warbler is one of the smallest Palearcticwarblers, with a relatively large head and short tail. It has greenish upperparts and white underparts, a lemon-yellow rump, and yellow double wingbars, supercilia and central crown stripe. It is similar in appearance to several other Asian warblers, including some that were formerly considered to be subspecies of it, although its distinctive vocalisations aid identification. (Full article...)
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Launch of Izmail in 1915
The Borodino-class battlecruisers (Russian: Линейные крейсера типа «Измаил») were a group of four battlecruisers ordered by the Imperial Russian Navy before World War I. Also referred to as the Izmail class, they were laid down in late 1912 at Saint Petersburg for service with the Baltic Fleet. Construction of the ships was delayed by a lack of capacity among domestic factories and the need to order some components from abroad. The start of World War I slowed their construction still further, as the imported components were often not delivered and domestic production was diverted into areas more immediately useful for the war effort.
Three of the four ships were launched in 1915 and the fourth in 1916. Work on the gun turrets lagged, and it became evident that Russian industry would not be able to complete the ships during the war. The Russian Revolution of 1917 halted all work on the ships, which was never resumed. Although some consideration was given to finishing the hulls that were nearest to completion, the three furthest from completion were sold for scrap by the Soviet Union during the early 1920s. The Soviet Navy proposed to convert Izmail, the ship closest to completion, to an aircraft carrier in 1925, but the plan was cancelled after political manoeuvring by the Red Army cut funding and she was eventually scrapped in 1931. (Full article...)
Nadezhda Vasilievna Stasova (Russian: Надежда Васильевна Стасова; June 24 [O.S. June 12] 1822 – October 9 [O.S. September 27] 1895) was a Russian educator, activist, and feminist of the 19th century.
Stasova was born into a noble and wealthy family; Tsar Alexander I of Russia was her godfather, and she received extensive private tutoring as a child. After experiencing family tragedy and personal disappointment as a young woman, she dedicated herself to women's education and economic empowerment. Alongside Anna Filosofova and Maria Trubnikova, Stasova was one of the earliest leaders of the Russian women's movement. Together, the three friends and allies were referred to as the "triumvirate". (Full article...)
The black stork (Ciconia nigra) is a large bird in the stork family Ciconiidae. It was first described by Carl Linnaeus in the 10th edition of his Systema Naturae. Measuring on average 95 to 100 cm (37 to 39 in) from beak tip to end of tail with a 145-to-155 cm (57-to-61 in) wingspan, the adult black stork has mainly black plumage, with white underparts, long red legs and a long pointed red beak. A widespread but uncommon species, it breeds in scattered locations across Europe (predominantly in Portugal and Spain, and central and eastern parts), and east across the Palearctic to the Pacific Ocean. It is a long-distance migrant, with European populations wintering in tropical Sub-Saharan Africa, and Asian populations in the Indian subcontinent. When migrating between Europe and Africa, it avoids crossing broad expanses of the Mediterranean Sea and detours via the Levant in the east, the Strait of Sicily in the center, or the Strait of Gibraltar in the west. An isolated non-migratory population lives in Southern Africa.
Unlike the closely related white stork, the black stork is a shy and wary species. It is seen singly or in pairs, usually in marshy areas, rivers or inland waters. It feeds on amphibians, small fish and insects, generally wading slowly in shallow water stalking its prey. Breeding pairs usually build nests in large forest trees—most commonly deciduous but also coniferous—which can be seen from long distances, as well as on large boulders, or under overhanging ledges in mountainous areas. The female lays two to five greyish-white eggs, which become soiled over time in the nest. Incubation takes 32 to 38 days, with both sexes sharing duties, and fledging takes 60 to 71 days. (Full article...)
Peresvet and Pobeda were salvaged after the Japanese captured Port Arthur and incorporated into the Imperial Japanese Navy. Peresvet was sold back to the Russians during World War I, as the two countries were by now allies, and sank after hitting German mines in the Mediterranean in early 1917 while Pobeda, renamed Suwo, remained instead in Japanese service and participated in the Battle of Tsingtao in late 1914. She became a gunnery training ship in 1917. The ship was disarmed in 1922 to comply with the terms of the Washington Naval Treaty and probably scrapped around that time. (Full article...)
The Rite of Spring (French: Le Sacre du printemps) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich. When first performed at the Théâtre des Champs-Élysées on 29 May 1913, the avant-garde nature of the music and choreography caused a sensation. Many have called the first-night reaction a "riot" or "near-riot", though this wording did not come about until reviews of later performances in 1924, over a decade later. Although designed as a work for the stage, with specific passages accompanying characters and action, the music achieved equal if not greater recognition as a concert piece and is widely considered to be one of the most influential musical works of the 20th century.
Stravinsky was a young, virtually unknown composer when Diaghilev recruited him to create works for the Ballets Russes. Le Sacre du printemps was the third such major project, after the acclaimed Firebird (1910) and Petrushka (1911). The concept behind The Rite of Spring, developed by Roerich from Stravinsky's outline idea, is suggested by its subtitle, "Pictures of Pagan Russia in Two Parts"; the scenario depicts various primitive rituals celebrating the advent of spring, after which a young girl is chosen as a sacrificial victim and dances herself to death. After a mixed critical reception for its original run and a short London tour, the ballet was not performed again until the 1920s, when a version choreographed by Léonide Massine replaced Nijinsky's original, which saw only eight performances. Massine's was the forerunner of many innovative productions directed by the world's leading choreographers, gaining the work worldwide acceptance. In the 1980s, Nijinsky's original choreography, long believed lost, was reconstructed by the Joffrey Ballet in Los Angeles. (Full article...)
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Manuscript miniature, part of double portrait with Empress Maria, Vatican Library
Manuel I Komnenos (Greek: Μανουήλ Κομνηνός, romanized: Manouḗl Komnēnós; 28 November 1118 – 24 September 1180), Latinized as Comnenus, also called Porphyrogenitus (Greek: Πορφυρογέννητος, romanized: Porphyrogénnētos; "born in the purple"), was a Byzantine emperor of the 12th century who reigned over a crucial turning point in the history of Byzantium and the Mediterranean. His reign saw the last flowering of the Komnenian restoration, during which the Byzantine Empire experienced a resurgence of military and economic power and enjoyed a cultural revival.
Eager to restore his empire to its past glories as the great power of the Mediterranean world, Manuel pursued an energetic and ambitious foreign policy. In the process he made alliances with Pope Adrian IV and the resurgent West. He invaded the Norman Kingdom of Sicily, although unsuccessfully, being the last Eastern Roman emperor to attempt reconquests in the western Mediterranean. The passage of the potentially dangerous Second Crusade through his empire was adroitly managed. Manuel established a Byzantine protectorate over the Crusader states of Outremer. Facing Muslim advances in the Holy Land, he made common cause with the Kingdom of Jerusalem and participated in a combined invasion of FatimidEgypt. Manuel reshaped the political maps of the Balkans and the eastern Mediterranean, placing the kingdoms of Hungary and Outremer under Byzantine hegemony and campaigning aggressively against his neighbours both in the west and in the east. (Full article...)
This photo of the Nilov Monastery on Stolobny Island in Tver Oblast, Russia, was taken by Sergey Prokudin-Gorsky in 1910 before the advent of colour photography. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different coloured filter. By projecting all three monochrome pictures using correctly coloured light, it was possible to reconstruct the original colour scene.
The Sukhoi Superjet 100 is a modern fly-by-wiretwin-engineregional jet with 8 to 108 passenger seats. Development began in 2000; the aircraft had its maiden flight on 19 May 2008 and entered commercial service on 21 April 2011. This aircraft is seen flying off the coast of Italy near Sanremo.
Alexei Leonov (1934–2019) was a Soviet cosmonaut, Air Force major general, writer, and artist. On 18 March 1965, he became the first human to conduct a spacewalk, exiting the capsule during the Voskhod 2 mission for 12 minutes and 9 seconds. At the end of the spacewalk, his spacesuit had inflated in the vacuum of space to the point that he had great difficulty re-entering the airlock, forcing him to open a valve to deflate his suit. His second trip into space took place ten years later, when he was commander of Soyuz 19, the Soviet half of the 1975 Apollo–Soyuz Test Project, the first joint space mission between the Soviet Union and the United States. The crater Leonov on the far side of the Moon is named after him.
This picture shows Leonov photographed in 1974, wearing a lapel pin with a version of the emblem for the Apollo–Soyuz Test Project, which was then in development.
Although James Clerk Maxwell made the first color photograph in 1861, the results were far from realistic until Prokudin-Gorsky perfected the technique with a series of improvements around 1905. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different colored filter. Prokudin-Gorskii then went on to document much of the country of Russia, travelling by train in a specially equipped darkroomrailroad car.
Saint Michael's Castle is a former royal residence in the historic centre of Saint Petersburg, Russia. It was built for Emperor Paul I between 1797 and 1801, and named after Saint Michael, the patron saint of the royal family. Constructed like a castle around a small octagonal courtyard, the four facades were built in different architectural styles, including French Classicism, Italian Renaissance and Gothic. The emperor was assassinated in the castle forty days after taking up residence. After his death, the imperial family returned to the Winter Palace and the building was transferred to the Russian Army's Main Engineering School. In 1990, it became a branch of the Russian Museum, and now houses its portrait gallery.
Saint Basil's Cathedral is a church in Red Square in Moscow, Russia. It was built from 1555 to 1561 on orders from Ivan the Terrible and commemorates the capture of Kazan and Astrakhan. The city's tallest building until the completion of the Ivan the Great Bell Tower in 1600, the original building contained eight side churches arranged around the ninth, central church of Intercession; the tenth church was erected in 1588 over the grave of venerated local saint Vasily (Basil). Although the Bolsheviks considered demolishing the church in the 1930s, it was spared. Since 1991 it has housed a branch of the State Historical Museum and hosted occasional church services.
The Portrait of Chaliapin is an oil-on-canvas painting by Boris Kustodiev, produced in 1921. Feodor Chaliapin was a Russian opera singer; possessing a deep and expressive bass voice, he enjoyed an important international career at major opera houses. He is depicted here wearing an expensive fur coat, which had come from a Soviet warehouse containing items confiscated from rich people during the Russian Revolution, and which he had received in lieu of payment for a performance. The background shows festivities at the traditional folk holiday of Maslenitsa. Dressed in a smart suit and holding a cane, Chaliapin is portrayed as having risen above his contemporaries. His favourite dog is at his feet and, at the bottom left, his two daughters stroll on the festive square in front of a poster promoting his concert. This copy of the painting is in the collection of the Russian Museum in Saint Petersburg.
The Tauride Palace is one of the largest and most historic palaces in Saint Petersburg, Russia. It was designed by Ivan Starov for Prince Grigory Potemkin, and was constructed between 1783 and 1789. After the owner's death, it was purchased by Catherine the Great, who constructed a theatre in the east wing and a church in the west wing. Many improvements were also made to the grounds, including construction of the Admiralty Pavilion, the gardener house, the orangery, glass-houses, bridges, and ironwork fences. Although the exterior of the building was rather plain, the interior was very luxurious. More recently, the building housed the first Imperial State Duma (1906–1917) and the post-revolution provisional government.
The current main building of the Moscow State University in Sparrow Hills, Moscow, Russia. Designed by Lev Rudnev and completed by 1953, the 240-metre (790 ft) tall structure was the tallest building in Europe until the completion of the Messeturm in 1990.
The Solovetsky Monastery is a Russian Orthodox monastery in Solovetsky, Arkhangelsk, Russia. Founded in 1436 by the monk Zosima, the monastery grew in power into the 16th century, becoming an economic and political center of the White Sea region and eventually hosting 350 monks. After the Bolshevik Revolution, Soviet authorities closed down the monastery and incorporated many of its buildings into Solovki prison camp, one of the earliest forced-labor camps of the gulag system. The camp closed after the region's trees had been harvested. Today the monastery has been re-established, and also serves as a museum.
Sadko is a character in the Russian medieval epic Bylina. An adventurer, merchant and gusli musician from Novgorod, Sadko becomes wealthy with the help of the Sea Tsar, but is thrown in the sea when he fails to pay the Sea Tsar his due respects. This story was widely adapted in the 19th century, including in a poem by Alexei Tolstoy and an opera by Nikolai Rimsky-Korsakov.
Shown here is Sadko in the Underwater Kingdom, an 1876 painting by Ilya Repin. It depicts Sadko meeting the Sea Tsar under the sea.
An Alaskan parchment scrip banknote in the denomination of 1 ruble, printed on vellum or parchment by the Russian-American Company. On the obverse, the horizontal text immediately beneath the double-headed eagle reads "Seal of the Russian American Company". The oval text reads "under august protection of His Imperial Majesty", and under the oval is the value of the note "one ruble".
Alaskan parchment scrip was used as a form of company scrip in Alaska when it was a possession of the Russian Empire. In circulation from 1816 to 1867, such scrip could be printed on vellum, parchment, or pinniped skin. Denominations of 10, 25, 50 kopecks and 1, 5, 10, and 25 rubles were issued.
... that street artist TVBoy, known for his murals of footballers in Barcelona, painted uplifting art in regions of Kyiv ahead of the one-year anniversary of the 2022 Russian invasion?
We bow our heads in respect for those Soviet women who displayed exceptional courage in the severe time of war. Never before but during the days of the war the grandeur of spirit and the invincible will of our Soviet women, their selfless dedication, loyalty and affection to their Homeland, their boundless persistence in work and their heroism on the front manifested themselves with such strength.
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