Jump to content

Dono (comedian)

From Wikipedia, the free encyclopedia
(Redirected from Wahjoe Sardono)
Dono
Dono in circa 1990s
Born
Wahjoe Sardono

(1951-09-30)30 September 1951
Delanggu, Klaten, Central Java, Indonesia
Died30 December 2001(2001-12-30) (aged 50)
Jakarta, Indonesia
Burial placeTanah Kusir Public Cemetery, Kebayoran Lama, South Jakarta
Alma materUniversity of Indonesia
Occupations
  • Actor
  • comedian
  • lecturer
Years active1978–2001
Known forMember of Warkop

Wahjoe Sardono (Indonesian: [wahju sardɔnɔ], EYD: Wahyu Sardono, 30 September 1951 – 30 December 2001), known mononymously as Dono or Dono Warkop, was an Indonesian actor, comedian, and lecturer. He gained fame as a member of the comedy group Warkop. Born in Delanggu, Klaten, Dono began his career while still a student at the University of Indonesia (UI), where he worked as a caricaturist and social activist. He later became a teaching assistant for sociology professor Selo Soemardjan, teaching several general lectures and group sessions alongside Paulus Wirutomo.

After graduating from college, Dono began to gain popularity with the Warkop group, starring in 34 comedy films from 1980 to 1995. They furthered their success with a television series that ran from 1996 to 2001. Additionally, Dono was active as a novelist and frequently wrote articles on social issues for the mass media. He died on 30 December 2001, due to lung cancer.

Early life

[edit]

Dono was born as Wahjoe Sardono in Delanggu, Klaten, Central Java. His father, Tjitro Soedijono, served as a police officer, and his mother was Soenarmi. Among four siblings, Dono was the only son. He interpreted the significance of his name as follows: "Wahyu" symbolizes God's grace, "Sar" denotes being born in the Great Month of the Javanese calendar (which corresponds with the month of Dhu al-Hijja in the Islamic calendar), and "Dono" means gift. Therefore, his name translates to "God's grace as the greatest gift".[1]

Dono started his education at SD Negeri 1 Kebon Dalem for elementary school and later attended SMP Negeri 2 Klaten.[2] As a child, he often found himself in fights provoked by friends, but mainly defended himself and avoided further escalation.[3] Once, he was swept away in a river while returning home after watching a night-long wayang kulit show.[4] For high school, Dono commuted daily by bicycle from Klaten to SMA Negeri 3 Surakarta, covering tens of kilometers.[5] It was during this period that his leadership qualities emerged, leading to his appointment as head of the Student Council (OSIS).[6] Initially aiming to become a doctor, Dono eventually shifted focus to social sciences after not meeting the requirements. He then set his sights on becoming a journalist. During this time, he actively pursued his passion for drawing cartoons, creating caricatures, and writing poems, hoping to see them published in various newspapers.[1]

Career

[edit]

Early career

[edit]

In 1971, upon graduating from high school, Dono moved to Jakarta to pursue his studies at the Faculty of Social Sciences, University of Indonesia (UI), majoring in sociology. His younger sister, Rani Toersilaningsih, who later became a lecturer at the Faculty of Economics UI, mentioned that Dono chose sociology because he had a keen interest in observing people and environments, which he later reflected in his writings and caricatures.[7] Initially, Dono's father preferred him to study political science, but Dono declined. However, after some discussion, his father eventually supported his choice on the condition that Dono remained committed and succeeded in his studies.[7] During his time at the university, Dono became close friends with Paulus Wirutomo, despite being in different academic years. They both independently established student magazines that operated outside of campus bureaucracy. Funding for these magazines came from their own pockets, and although they did not collaborate on the same publication, their competition fueled their creativity.[7]

Following his academic pursuits, Dono actively contributed to several newspapers, including El Bahar, Tribun, and Salemba, where he worked primarily as a columnist and caricaturist. Both newspapers ceased publication in 1974.[2][8] In 1975, Dono was invited to join the radio program Obrolan Santai di Warung Kopi Prambors along with Kasino, Nanu Moeljono, and Rudy Badil. With the addition of Indro in 1976, they officially formed the group known as "Warkop Prambors". Their program aired every Thursday night and became popular for discussing current topics, particularly politics and social issues.[9] During his university years, Dono also participated in the University of Indonesia's Mountaineering Student Group (Mapala UI) alongside Kasino and Nanu. This shared interest in nature and adventure was later depicted in several Warkop films.[10]

Becoming Selo Soemardjan's assistant

[edit]

During his fifth year as a student at the University of Indonesia, Dono was appointed as a teaching assistant by Selo Soemardjan, a renowned sociology professor. He reunited with Paulus Wirutomo, who had been appointed earlier as a teaching assistant. Together, they shared responsibilities teaching general lectures and group classes. The general lectures aimed to introduce new students to fundamental sociological concepts directly taught by Soemardjan. In group classes, Dono and Wirutomo led the sessions.[7] When Soemardjan couldn't attend the general lectures, Dono and Wirutomo took charge. Their appointment as teaching assistants underscored their academic prowess and dedication, as Soemardjan was discerning in granting such opportunities.[7]

As a lecturer, Dono was known for his strict and disciplined approach. Interestingly, one of his future Warkop colleagues, Nanu Moeljono, was a student in Dono's class. Nanu, however, did not pass the course taught by Dono.[11]

Activism activities

[edit]

In student movements, Dono was recognized for his outspoken criticism. In January 1974, he participated in the infamous Malari incident, where he and fellow students protested against Japanese economic dominance in Indonesia. The demonstration culminated in the arrest of several University of Indonesia students, including Hariman Siregar, who was then the Student Council chairman.[12] Dono's boldness extended to his caricatures, which often critiqued the New Order government. This drew the attention of intelligence teams and police, who visited his parents' home in Delanggu. His father calmly clarified that Dono's intentions were to reveal truths rather than to undermine the government.[7]

In 1998, Dono once again joined student demonstrations, this time actively defending Atma Jaya Catholic University of Indonesia. When security forces attempted to enter the campus, Dono bravely confronted them with only a fire hose, safeguarding thousands of students seeking refuge inside.[12] According to former Kompas journalist Budiarto Shambazy, Dono played a pivotal role in the May 1998 demonstrations that ultimately led to President Suharto's resignation. He contributed by framing speeches, organizing visits to Parliament, and strategizing various student-led protests.[13]

The peak of success with Warkop

[edit]
Dono in 1988, with the long hair appearance that appears in Jodoh Boleh Diatur, Malu Malu Mau, and Godain Kita Dong.

Due to his busy schedule, Dono once neglected his thesis, which focused on educational equity in his hometown of Delanggu. Titled Hubungan Status Sosial Ekonomi Keluarga dengan Prestasi Murid di Sekolah: Studi Kasus SMP Negeri Desa Delanggu, he successfully defended it during a research session in 1978.[14] After graduating with a sociology degree, Dono transitioned away from his lecturing job to pursue entertainment with the Warkop comedy group. During this time, Warkop expanded their presence beyond radio broadcasts to television through the show Terminal Musikal, produced by Mus Mualim and aired on TVRI. They also received numerous invitations to perform outside the city.[15]

In 1980, Warkop released their first film titled Mana Tahaaan... which enjoyed tremendous success during its theatrical run.[16] From 1980 to 1995, the Warkop Prambors, later renamed as Warkop DKI, starred in 34 comedy films and one docudrama. Typically, Warkop released two films annually, timed for Eid Al Fitr and the Christmas-New Year holidays. However, international marketing of Warkop films faced challenges due to copyright issues, particularly concerning the unauthorized use of Henry Mancini's instrumental song The Pink Panther Theme.[10] Additionally, Warkop produced 12 compilation albums featuring comedy and songs, collaborating on two of them with the Pancaran Sinar Petromak and Srimulat groups.[17][18]

Despite his success as a comedian, Dono once declined a scholarship offer for postgraduate studies in the United States to avoid disrupting the formation of the Warkop group.[19] Behind the scenes, he had a three-year dispute with Kasino from 1988 to 1990, centered around differing visions for Warkop's future. Nonetheless, they maintained professionalism while Indro acted as a mediator between them.[20]

Outside of his entertainment career, Dono maintained an active presence as a freelance writer for various print media outlets and frequently participated as a guest lecturer in public lectures organized by universities.[21] He also pursued his passion for cartooning under the pen name "Titi Kusumawardhani," derived from his wife's name.[22] In 1987, Dono published his first novel titled Balada Paijo, which depicts the life of a village youth navigating the challenges of urban life.[23] By the time of his death in 2001, Dono had authored five novels. His final novel, Senggol Kiri Senggol Kanan, published in 2009, shifted focus to marital issues faced by an employee, diverging from his earlier themes of youth life.[23]

Additionally, Dono ventured into film production and screenwriting, notably in the 1991 film Peluk Daku dan Lepaskan, where he adopted the pseudonym "Ario Damar" derived from his sons' names, Andika Aria Sena (nicknamed "Ario") and Damar Canggih Wicaksono.[24][25] Following the release of Pencet Sana Pencet Sini in 1995, Dono, Kasino, and Indro collectively decided to cease making films to show solidarity with the Indonesian film industry.[26] During this period, the industry faced challenges from an oversupply of adult-themed films and competition from international cinema.[24][27] Subsequently, the Warkop group transitioned to television, continuing with the series Warkop DKI, later renamed Warkop Millenium after Kasino's death in November 1997. Dono remained involved in the series until his death in 2001, contributing to its enduring popularity in Indonesian entertainment.[28]

Style

[edit]

As actor

[edit]
Dono's face is often compared to a bemo which is based on the Daihatsu Midget car.

Early in his career, Dono portrayed the character Slamet, initially on Radio Prambors, embodying a simple and naive Javanese man.[29] This characterization continued when he transitioned to acting in films, where Slamet appeared in the initial trilogy: Mana Tahaaan..., Gengsi Dong, and Gede Rasa. In Gengsi Dong, Slamet's full name was revealed as Raden Mas Ngabei Slamet Condrowirawatikto Edi Pranoto Joyosentiko Mangundirjo Kusumo, hailing from a prosperous farming family in his village.[30] Gede Rasa further explored Slamet's challenges after dropping out of college and adapting to life in Jakarta.[31]

When the production of Warkop films shifted to Parkit Film and later Soraya Intercine Films, Dono began portraying a character named "Dono". Dono's character was consistently portrayed as unlucky in daily life but surprisingly fortunate in attracting beautiful women.[32] In a humorous 1995 interview, Dono noted that excessive misfortune for his character might deter audiences, hence the frequent pairing with attractive actresses.[4] Initially dubbed "Si Bemo" early in his film career due to his resemblance to the bemo public transport vehicles, Dono initially found the nickname offensive when director Nawi Ismail coined it during the filming of Mana Tahaaan...[33] However, he eventually embraced it as a comedic element inherent to his profession.[34]

Indro, another member of Warkop, revealed that Dono was the creative force behind the Slamet and later Dono characters. Dono deliberately crafted these personas, drawing inspiration from his intellectual background.[35] Indro emphasized Dono's perfectionism in portraying these roles, noting his rigorous research before performances or scriptwriting sessions. Dono often declined spontaneous comedy, preferring thorough preparation as a mark of his commitment.[36] Despite their comedic triumphs, Warkop briefly diverged from their typical formula by collaborating with directors Chaerul Umam and Ami Prijono on more serious-themed films like Sama Juga Bohong and Jodoh Boleh Diatur. However, these experiments fell short of box office expectations, acknowledged by Kasino, who attributed Warkop's market challenges to their portrayal of women as mere adornments.[37]

Renowned filmmaker Garin Nugroho lauded Dono's ability to inject a distinctive charm into every Warkop film. Despite criticisms of predictable plotlines, Nugroho suggested audiences continued to relish the films due to Dono's portrayal as the hapless victim of Kasino and Indro's antics.[38] Author Wiwid Prasetiyo underscored Dono's pivotal role in Warkop's identity, noting his absence was deeply felt following his death compared to Kasino's.[39] Reflecting on Dono's comedic style, author Darminto M. Sudarmo noted his public humor often intertwined with incisive political satire, a departure from his on-screen roles.[40] Tempo magazine likened Dono's comedic delivery to Benyamin Sueb and Charlie Chaplin in 2005, highlighting Benyamin's mastery of verbal wit in comedic performances.[41]

As writer

[edit]

Dono used mass media as a platform for social criticism, distinct from his naive film portrayals. Through his articles, he presented fresh and intelligent ideas, believing humor could effectively convey social critiques beyond mere entertainment.[42] He observed a general lack of interest in reading among Indonesians and opposed the practice of comedians relying on scripted material borrowed from others rather than originating from personal insights.[43]

As a novelist starting in the late 1980s, Dono's works naturally incorporated humor, reflecting the popular trend of humorous-themed books of the era. Despite this, he maintained a critical stance towards media's role in delivering social messages.[23] Writer Putu Wijaya, in his review for Tempo magazine, praised Dono's skillful storytelling and his spontaneous writing style but critiqued his tendency to present overly dominant main characters and portray female characters as secondary to the narrative.[44] In analyzing Dono's novels like Dua Batang Ilalang, Ayuni Rianty and Etmi Hardi noted his neutral writing style despite satirizing the New Order regime, aiming for impartiality in depicting student-government encounters.[45] Writer Udo Z. Karzi contrasted his difficulty following Warkop films, which he found lacking in humor, with his ability to engage with the narratives in Dono's novels.[46] Saddam Cahyo, reviewing Senggol Kiri Senggol Kanan, highlighted Dono's indirect critique of the government regime through humor, embodying the slogan "laugh before laughter is banned" in his literary works.[47]

Personal life

[edit]

Family

[edit]

Dono first encountered his future wife, Titi Kusumawardhani, during their time as students at the Faculty of Social Sciences at University of Indonesia. Interestingly, long before Dono attended junior high school, his family participated in a supernatural game called "jailangkung", seeking insights about Dono's future spouse. The mystical doll from the game mentioned Titi Kusumawardhani from Madiun as his destined partner. As fate would have it, Dono later found and married Kusumawardhani exactly as predicted by the jailangkung.[48] Dono and Kusumawardhani married in 1977 and were blessed with three children: Andika Aria Sena, Damar Canggih Wicaksono, and Satrio Sarwo Trengginas.[49] Kusumawardhani died in 1999 due to breast cancer.[50]

Illness and death

[edit]

Dono's health began deteriorating in 2000 when he was diagnosed with tuberculosis, which required frequent hospitalizations. During this time, a tumor was discovered in his buttocks, leading to surgery for its removal at Kramat Hospital in Central Jakarta in September 2000.[51] Unfortunately, by 2001, it was determined that the tumor had metastasized to his lungs and liver, resulting in a diagnosis of lung cancer.[52]

Throughout November 2001, Dono underwent extensive examinations due to the advanced stage of his lung cancer. On December 29, 2001, he was admitted to Saint Carolus Hospital in critical condition. Despite efforts to stabilize his health, Dono experienced several critical periods and died on Sunday, December 30, 2001.[51] His funeral took place at Tanah Kusir Public Cemetery the following day. Initially, plans were made to bury Dono in Surakarta, but these were reconsidered as all three of his children lived in Jakarta.[53]

Legacy

[edit]

Until now, Warkop films are often referred to as "Dono films". Indro, representing the Warkop team, once attempted to investigate this phenomenon by consulting a psychologist. Eventually, Indro concluded that the name "Dono" is memorable because it consists of two syllables and shares initials with "DKI", associated with Warkop DKI.[54] Some media outlets have also drawn comparisons between Dono and the British comedian Rowan Atkinson, noting similarities in their educated backgrounds and frequent portrayal of naive and foolish characters in both films and television series.[55][56]

Dedi Gumelar, also known as Miing from the comedy group Bagito, remembers Dono as a figure who was simple, practical, and highly spontaneous. Deddy Mizwar described Dono as a comedian who was irreplaceable and acknowledged his significant contribution to the development of comedy in Indonesia.[57] Taufik Savalas considered Dono, along with his Warkop colleagues Kasino and Indro, as mentors when he started his career as a comedian.[58] Eva Arnaz described Dono as an intelligent and humble man, while Nurul Arifin regarded him as highly sensitive regarding social issues.[59] During Dono's 70th birthday commemoration in 2021, solo comedian Ernest Prakasa reminisced about Dono as a comedian who not only entertained but also spoke truthfully, particularly in critiquing the government.[60]

Dono's legacy was revived in the Warkop DKI Reborn film series produced by Falcon Pictures. In the first and second films, Dono was portrayed by Abimana Aryasatya, who expressed feeling "something extraordinary" while playing the role.[61] Dono's family also praised Aryasatya for his strong resemblance to Dono.[62] In the third and fourth films, Aliando Syarief took over the role from Aryasatya. Syarief prepared for his role by losing weight and altering his appearance, including shaving his eyebrows and eyelashes.[63]

In 2021, the emergence of a comedy group named Warkopi briefly stirred the public, perceived as imitating Warkop DKI. One of its members, Sepriadi Chaniago, gained attention for his resemblance to Dono.[64] The group disbanded after receiving a legal warning from the Warkop DKI institution, holder of the commercial rights to the Warkop comedy group.[65]

During the 2024 Indonesian presidential election campaign, presidential candidate Ganjar Pranowo recalled Dono through a T-shirt with the inscription "Join Us We Fight For A Clean Government". This T-shirt was previously worn by Dono during the Malari demonstration in 1974.[13]

Bibliography

[edit]
Year Title
1987 Balada Paijo
1988 Cemara-Cemara Kampus
1999 Bila Satpam Bercinta
Dua Batang Ilalang
2009 Senggol Kiri Senggol Kanan
Source:[23]

Discography

[edit]
Year Album title Note(s)
1979 Cangkir Kopi
Warung Tenda
Warkop PSP HUT TVRI ke-16 Collaboration with Pancaran Sinar Petromak
1980 Mana Tahaaan...
1981 Dokter Masuk Desa
1982 Gerhana Asmara Collaboration with Srimulat
1983 Semua Bisa Diatur
1984 Pokoknya Betul
1985 Pingin Melek Hukum
1986 Sama Juga Bohong
1987 Makin Tipis Makin Asyik
Kunyanyikan Judulku
Source:[17]

Filmography

[edit]

Film

[edit]
As actor
Year Title Role Notes
1980 Mana Tahaaan... Slamet Warkop group's first feature film
Gengsi Dong
1981 GeEr - Gede Rasa
Pintar Pintar Bodoh Dono The first Warkop film under Parkit Film production
Untukmu Indonesiaku Non-comedy documentary film produced by Guruh Soekarnoputra
Manusia 6.000.000 Dollar
1982 IQ Jongkok
Setan Kredit
Dongkrak Antik
1983 CHIPS
Maju Kena Mundur Kena
1984 Pokoknya Beres
Tahu Diri Dong
Itu Bisa Diatur
1985 Kesempatan Dalam Kesempitan
Gantian Dong
1986 Sama Juga Bohong
Atas Boleh Bawah Boleh The first Warkop film under Soraya Intercine Films production
1987 Depan Bisa Belakang Bisa
Makin Lama Makin Asyik
1988 Saya Suka Kamu Punya Also a story writer and scriptwriter
Jodoh Boleh Diatur
1989 Malu-Malu Mau
Godain Kita Dong
1990 Sabar Dulu Doong...!
Mana Bisa Tahan
1991 Lupa Aturan Main
Sudah Pasti Tahan
1992 Bisa Naik Bisa Turun
Masuk Kena Keluar Kena
1993 Salah Masuk
Bagi-Bagi Dong
1994 Bebas Aturan Main
Saya Duluan Dong
1995 Pencet Sana Pencet Sini Warkop group's last feature film
As producer
Year Title Note Ref.
1991 Peluk Daku dan Lepaskan Also a story writer using the pen name Ario Damar [66]

TV series

[edit]
Year Title Role
1996–1997 Warkop DKI Dono
1999–2000 Warkop Millenium

References

[edit]
  1. ^ a b "Ketika Pelawak Ngobrol Serius tapi Tetap Lucu: Cerita Dono Warkop DKI Mau jadi Dokter tapi SMA Pilih Jurusan Sosial". dream.co.id (in Indonesian). KapanLagi Youniverse. Archived from the original on 25 August 2023. Retrieved 10 June 2024.
  2. ^ a b Al Birra, Fadhil (30 December 2016). "Mengenang 15 Tahun Meninggalnya Dono Warkop DKI". Jawa Pos (in Indonesian). Archived from the original on 29 May 2024. Retrieved 28 May 2024.
  3. ^ Hutapea, Anisa (1 December 2022). "5 menit diatas panggung tak ada yang tertawa, inilah suka duka Dono Warkop jadi komedian semasa hidup". Hops.id (in Indonesian). Archived from the original on 31 May 2024. Retrieved 28 May 2024.
  4. ^ a b "Dono: Banyak yang mencoba menjadi saya tetapi semuanya gagal". YouTube (in Indonesian). Apa Aja Boleh (Media Nusantara Citra). Archived from the original on 30 June 2022. Retrieved 30 June 2022.
  5. ^ Asrianti, Shelbi (29 August 2017). "Bukan Solo, Ini Sebenarnya Daerah Asal Dono". Republika (in Indonesian). Archived from the original on 23 March 2023. Retrieved 24 August 2018.
  6. ^ Asmayadi, Rahmat (10 January 2019). "Mengenal Sosok Dono, Salah Satu Komedian Serba Bisa yang Indonesia Punya". Hipwee (in Indonesian). Archived from the original on 28 May 2024. Retrieved 28 May 2024.
  7. ^ a b c d e f Hanggoro, Hendaru Tri (24 July 2020). "Dono Mahasiswa Kritis". Historia (in Indonesian). Archived from the original on 27 June 2021. Retrieved 29 May 2024.
  8. ^ "Dono dan Karikatur-karikaturnya". Historia (in Indonesian). 13 August 2020. Retrieved 14 November 2024.
  9. ^ Nurhadi (23 September 2021). "Sejarah Warkop DKI yang Kerap Menyentil Penguasa Orde Baru". Tempo (in Indonesian). Archived from the original on 1 July 2022. Retrieved 29 May 2024.
  10. ^ a b Firdausi, Annisa (1 October 2022). "Dono Warkop Bukan Sekadar Pelawak, Mapala UI hingga Aktivis 1998". Tempo (in Indonesian). Archived from the original on 28 September 2023. Retrieved 29 May 2024.
  11. ^ Putri, Denada S. (26 May 2022). "Indro Kenang Dono Warkop Ternyata Dosen Killer Pernah Tak Luluskan Nano Warkop". Suara.com (in Indonesian). Archived from the original on 27 June 2022. Retrieved 15 June 2024.
  12. ^ a b Suminar, Agustina (26 August 2016). "Dono Warkop: Komedian, Dosen Hingga Aktivis Peristiwa Malari dan Trisakti". Good News From Indonesia (in Indonesian). Archived from the original on 18 July 2022. Retrieved 29 May 2024.
  13. ^ a b "Ganjar Kenang Perjuangan Dono Warkop dengan Kenakan Kaus Clean Goverment [sic]". Jawa Pos Group (in Indonesian). 10 February 2024. Archived from the original on 10 February 2024. Retrieved 31 May 2024.
  14. ^ "Viral Skripsi Dono Warkop di Media Sosial Tentang Privilege Anak Orang Kaya". Prambors FM (in Indonesian). 15 February 2023. Archived from the original on 21 March 2023. Retrieved 19 May 2024.
  15. ^ Saptoyo, Rosy Dewi Aryanti; Nugroho, Rizal Setyo (22 September 2021). "Sejarah terbentuknya Warkop DKI". Kompas (in Indonesian). Archived from the original on 22 September 2021. Retrieved 16 June 2024.{{cite web}}: CS1 maint: multiple names: authors list (link)
  16. ^ Hasist, Mohamad (2 September 2012). "Mana Tahan, film pertama Warkop DKI bikin mengocok perut". merdeka.com (in Indonesian). Archived from the original on 3 September 2012. Retrieved 29 May 2024.
  17. ^ a b "12 Daftar Album Komplit Lawakan Warkop Prambors / Warkop DKI 1979–1988" (in Indonesian). Lembaga Warkop DKI. 6 June 2018. Archived from the original on 2 March 2021. Retrieved 2 March 2021.
  18. ^ Kahirani, Meuthia (23 September 2023). "9 Fakta Menarik Warkop DKI, Grup Lawak Legendaris yang Genap 50 Tahun Sukses Menghibur Masyarakat Indonesia". Beautynesia (in Indonesian). Archived from the original on 29 May 2024. Retrieved 29 May 2024.
  19. ^ "Indro Kenang Perjuangan Dono Korbankan Beasiswa S2 Demi Karier Warkop DKI". akurat.co (in Indonesian). 8 May 2018. Archived from the original on 29 May 2024. Retrieved 15 June 2024.
  20. ^ Al Farisi, Baharudin; Pangerang, Andi Muttya Keteng (1 December 2021). "Akar Masalah Kasino dan Dono Pernah Tidak Saling Bicara 3 Tahun". Kompas (in Indonesian). Archived from the original on 2 December 2021. Retrieved 31 May 2024.{{cite web}}: CS1 maint: multiple names: authors list (link)
  21. ^ Hanggoro, Hendaru Tri (26 July 2020). "Kelucuan Dono di Luar Film". Historia (in Indonesian). Archived from the original on 15 June 2024. Retrieved 15 June 2024.
  22. ^ Hanggoro, Hendaru Tri (13 August 2020). "Dono dan Karikatur-karikaturnya". Historia (in Indonesian). Archived from the original on 30 December 2022. Retrieved 29 May 2024.
  23. ^ a b c d Hanggoro, Hendaru Tri (13 July 2020). "Dono dan Novel-novelnya". Historia (in Indonesian). Archived from the original on 29 November 2023. Retrieved 29 May 2024.
  24. ^ a b Benke, Benny; Suryapati, Akhlis (28 October 2023). "Martabat Film, Pujian untuk Rezim". Suara Merdeka (in Indonesian). Archived from the original on 28 October 2023. Retrieved 31 May 2024.{{cite web}}: CS1 maint: multiple names: authors list (link)
  25. ^ "Peluk Daku dan Lepaskan". Indonesian Film Center (in Indonesian). Archived from the original on 31 May 2024. Retrieved 31 May 2024.
  26. ^ Riandi, Ady Prawira; Aditia, Andika (29 November 2021). "Alasan Warkop DKI Akhirnya Terjun ke Sinetron". Kompas (in Indonesian). Archived from the original on 2 June 2023. Retrieved 31 May 2024.{{cite web}}: CS1 maint: multiple names: authors list (link)
  27. ^ Untari 2021, p. 4–5.
  28. ^ "6 Fakta Menarik Warkop DKI, Grup Lawak Legendaris Tanah Air". MetroTV (in Indonesian). 26 March 2023. Archived from the original on 7 June 2023. Retrieved 31 May 2024.
  29. ^ Vilosa, Oriza; Prasetyo, Ichwan (27 April 2023). "Gengsi Dong!". Solopos (in Indonesian). Archived from the original on 31 May 2024. Retrieved 31 May 2024.{{cite web}}: CS1 maint: multiple names: authors list (link)
  30. ^ Apinino, Rio (15 September 2016). "Lima Mobil yang Eksis di Film Warkop DKI". Liputan 6 (in Indonesian). Archived from the original on 5 May 2022. Retrieved 31 May 2024. Dono yang berperan sebagai Raden Mas Ngabei Slamet Condrowirawatikto Edi Pranoto Joyosentiko Mangundirjo Kusumo, alias Slamet, iri terhadap teman kampusnya yang rata-rata punya mobil. Ia pun meminta ayahnya yang merupakan juragan petani untuk juga dibelikan mobil.
  31. ^ Full Movie / Gee Eer Gede Rasa / Warkop Dono Kasino Indro (in Indonesian). Jakarta, Indonesia: Falcon Pictures via YouTube. 28 March 2020. Event occurs at 45:00 – 45:10. Archived from the original on 17 May 2023. Retrieved 31 May 2024.
  32. ^ Wildan, Muhamad (5 June 2020). "5 Adegan Film Warkop DKI yang Ikonis dan Legendaris". Kincir (in Indonesian). Archived from the original on 6 February 2023. Retrieved 31 May 2024.
  33. ^ Alpinino, Rio (17 September 2016). "Selain Bemo, Mobil Apa Lagi yang Identik dengan Warkop DKI?". Liputan 6 (in Indonesian). Archived from the original on 31 May 2024. Retrieved 31 May 2024.
  34. ^ Badil 2010, p. 239.
  35. ^ Puspita Sari, Rintan (29 November 2021). "Bongkar Karakter Lugu Dono di Film Warkop DKI, Indro Warkop: Dia Sendiri yang Menciptakan". Kompas (in Indonesian). Archived from the original on 28 June 2022. Retrieved 3 June 2024.
  36. ^ Kurniasari, Desy (1 November 2021). "Jadi Otak di Balik Kelucuan Warkop DKI, Kebiasaan Dono Sebelum Tampil Dibongkar Indro: Kalau Boleh Jujur..." grid.id (in Indonesian). Archived from the original on 3 June 2024. Retrieved 3 June 2024.
  37. ^ Badil 2010, p. 125.
  38. ^ Badil 2010, p. 114.
  39. ^ Prasetiyo 2022, p. 190.
  40. ^ Sudarmo 2004, p. 16.
  41. ^ "Majalah Tempo, edisi 19–22, no. 34" (in Indonesian). Badan Usaha Jaya Press Jajasan Jaya Raya. 2005. Archived from the original on 10 June 2024. Retrieved 3 June 2024.
  42. ^ Kusumo, Rizky (1 October 2021). "Karya Tulis Dono, Kritik Polisi Korup hingga Terbitkan Kumpulan Novel". Good News From Indonesia (in Indonesian). Archived from the original on 6 December 2023. Retrieved 11 June 2024.
  43. ^ Hanggoro, Hendaru Tri (21 July 2020). "Dono dan Artikel-Artikelnya". Historia (in Indonesian). Archived from the original on 26 February 2023. Retrieved 11 June 2024.
  44. ^ Wijaya, Putu (10 June 1989). "Bila Dono Bercinta". Tempo (in Indonesian). Archived from the original on 8 December 2023. Retrieved 11 June 2024.
  45. ^ Rianty, Ayuni; Hardi, Etmi (14 June 2020). "Pengaruh Jiwa Zaman dan Latar Belakang Penulis Dalam Dua Karya Novel: Laut Bercerita dan Dua Batang Ilalang". Jurnal Kronologi (in Indonesian). 2: 55–66. doi:10.24036/jk.v2i1.29. Archived from the original on 19 September 2023. Retrieved 11 June 2024.{{cite journal}}: CS1 maint: multiple names: authors list (link)
  46. ^ Karzi, Udo Z (12 November 2019). "Tiga novel Dono". labrak.co (in Indonesian). Archived from the original on 28 October 2021. Retrieved 11 June 2024.
  47. ^ Cahyo, Saddam (23 July 2014). "Belajar Kritik Dari Dono Warkop". berdikarionline.com (in Indonesian). Archived from the original on 25 April 2018. Retrieved 11 June 2024.
  48. ^ Isnaeni, Hendri F. (23 July 2020). "Jodoh Dono ditunjukkan jailangkung". Historia (in Indonesian). Archived from the original on 27 June 2021. Retrieved 27 June 2021.
  49. ^ Nisya (2021). "Anak Dono Warkop". The Asian Parent (in Indonesian). Archived from the original on 18 July 2022. Retrieved 5 May 2022.
  50. ^ Nur Qasanah, Siti (26 October 2021). "Istrinya Meninggal Duluan 2 Tahun Sebelum Dirinya, Ini Kekhawatiran Mendiang Dono Warkop DKI Sebelum Meninggal Dunia, Indro Sampai Berjanji Lakukan Hal Ini demi Sahabatnya". grid.id (in Indonesian). Archived from the original on 29 May 2024. Retrieved 29 May 2024.
  51. ^ a b "Dono Warkop Meninggal Dunia". Liputan 6 (in Indonesian). 30 December 2001. Archived from the original on 5 May 2022. Retrieved 29 May 2024.
  52. ^ Hifzurahman, Muhammad Feraldi (23 May 2023). "Memori Janji Waktu Subuh Antara Indro dan Dono Warkop DKI". CNN Indonesia (in Indonesian). Archived from the original on 29 May 2024. Retrieved 29 May 2024.
  53. ^ "Siang Ini Dono Dimakamkan di Tanah Kusir". Liputan 6 (in Indonesian). 31 December 2001. Archived from the original on 5 May 2022. Retrieved 29 May 2024.
  54. ^ Puspita Sari, Rintan (28 November 2021). "Sampai Diselidiki, Indro Warkop Ungkap Alasan Film Warkop DKI Dulu Disebut Film Dono". Kompas (in Indonesian). Archived from the original on 28 November 2021. Retrieved 31 May 2024.
  55. ^ Azasya, Stella (24 May 2017). "5 Selebriti yang Selalu Dapat Peran Bodoh Padahal Aslinya Pintar". IDN Times (in Indonesian). Archived from the original on 18 June 2024. Retrieved 18 June 2024.
  56. ^ Kirana, Intan (19 July 2021). "7 Komedian Bodoh di Layar yang Sebetulnya Pintar". Kincir.com (in Indonesian). Archived from the original on 18 June 2024. Retrieved 18 June 2024.
  57. ^ Badil 2010, p. 235.
  58. ^ Fatwa, Agung Muhammad (1 October 2018). "Taufik Savalas, Orang Penting Bangkitnya Lawak Tunggal". Valid News (in Indonesian). Archived from the original on 31 May 2024. Retrieved 31 May 2024.
  59. ^ Badil 2010, p. 179.
  60. ^ Nursaniyah, Fitri (1 October 2021). "Ernest Prakasa Peringati Milad ke-70 Dono Warkop DKI, Singgung Kewajiban Seorang Komedian". Kompas (in Indonesian). Archived from the original on 1 October 2021. Retrieved 10 June 2024.
  61. ^ Sobry, Al (27 September 2017). "Ini Kesan Abimana Aryasatya Jadi Dono-Donoan!". grid.id (in Indonesian). Archived from the original on 30 June 2022. Retrieved 30 June 2022.
  62. ^ Prabancono, Haryo (4 September 2016). "Abimana Bangga Perankan Tokoh Dono di Warkop DKI Reborn". Solopos (in Indonesian). Archived from the original on 31 May 2024. Retrieved 31 May 2024.
  63. ^ Sembiring, Ira Gita Natalia; Dewi, Bestari Kumala (16 March 2019). "Aliando Syarief Rela Cukur Alis dan Bulu Mata demi Dono Warkop DKI". Kompas (in Indonesian). Archived from the original on 3 July 2022. Retrieved 30 June 2022.{{cite news}}: CS1 maint: multiple names: authors list (link)
  64. ^ Manggalla, Thomas (8 October 2021). "Viral Lewat Warkopi, Sepriadi Berbagi Kisah Suksesnya hingga Punya Perusahaan Sendiri". Sindonews.com (in Indonesian). Archived from the original on 31 May 2024. Retrieved 1 June 2024.
  65. ^ Ayuningtyas, Novita (13 October 2021). "Trio Warkopi Resmi Bubar dan Ganti Nama, Ini 4 Faktanya". Liputan 6 (in Indonesian). Archived from the original on 31 May 2024. Retrieved 1 June 2024.
  66. ^ "Peluk Daku dan Lepaskan". Film Indonesia (in Indonesian). Archived from the original on 5 May 2022. Retrieved 5 May 2022.

Works cited

[edit]
[edit]
Wikimedia Commons has media related to Dono (comedian).
Retrieved from "https://en.wikipedia.org/w/index.php?title=Dono_(comedian)&oldid=1257315784"