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Amaryllis Night and Day

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Amaryllis Night and Day
First edition
AuthorRussell Hoban
Cover artistWill Webb/Jeff Cottenden
LanguageEnglish
GenreRomance novel, speculative fiction
PublisherBloomsbury
Publication date
2001
Publication placeGreat Britain
Pages176
ISBN0-7475-5285-1
OCLC45306473

Amaryllis Night and Day is a 2001 novel by Russell Hoban, incorporating elements of magic realism and romance.[1]

Plot introduction

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Peter Diggs has a vivid dream in which he meets a woman called Amaryllis.[2] When he later encounters the same woman in real life, he discovers that the two of them have the ability to enter each other's dreams.[3] A cautious relationship is begun, half in the real world and half in dreams, in which both parties struggle to overcome the emotional effects of previous failed romances.

Characters

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  • Peter Diggs, the narrator of the novel, an artist in his early thirties
  • Amaryllis, who has the power to ‘tune in’ to people's dreams
  • Lenore, Peter's former girlfriend, an artist with emotional problems
  • Ron Hastings, a student of Peter's who appears in his dreams and who may also know Amaryllis

Major themes

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The novel is by turns romantic, philosophical, funny, sexy, and frightening, as the characters explore the different possibilities offered by their unique talent. Both Peter and Amaryllis have been involved in failed relationships before – exactly how many and how disastrously we only find out gradually – and they are haunted by the danger of repeating their past mistakes.

Hoban's writing builds up a series of metaphors throughout the book so that, as in a dream, many things take on unusual significance, or seem to represent something else. The idea of the dream itself seems to function for Hoban as a symbol of the way in which elements from the past come back to affect the present day, and in the characters' dreams various significant people and objects from real life appear in exaggerated forms, not all of which are fully explained. The names, too, are full of meaning: Amaryllis is linked to the botanical genus of Amaryllis, related to deadly nightshade, and Lenore is explicitly linked with her namesake in Edgar Allan Poe's poem "The Raven."

The hypothetical object known as a Klein bottle plays an important role in the book after Peter visits the London Science Museum. Klein bottles are four-dimensional one-sided bodies which can only exist in three-dimensional space by intersecting with themselves. This concept is built up in the book as a metaphor for the way people cross and re-cross important physical and emotional points in their lives.

Peter is a painter and Amaryllis a musician, and there is a lot of reflection in the book about art's ability to reflect and enrich a person's emotional life. A great many other artists are referenced during the book (see below). Early in the novel, Peter mentions a review of his paintings which comments on the ‘odd empty spaces’ in his work. Peter muses:

But that's life, isn't it? And those of us who think about the empty spaces tend to paint pictures, write books, or compose music. There are many talented people who never will become painters, writers, or composers; the talent is in them but not the empty spaces where art happens.

Allusions/references to other works

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Many other writers and musicians are mentioned or quoted in the novel, including:

Adaptations

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According to fansites, the book has been optioned by Doppelganger Films.

Release details

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References

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