Jump to content

David Spriggs (artist)

Add links
From Wikipedia, the free encyclopedia

David Spriggs
Born (1978-08-24) August 24, 1978 (age 46)
United Kingdom
NationalityCanadian, British
Known forInstallation

David Spriggs (born August 24, 1978) is a Canadian-British installation artist known for his large-scale 3D ephemeral installations that layer transparent images, a technique he first began to use in 1999, to create the illusion of a three-dimensional landscape.[1]

Early life and career

[edit]

David Spriggs was born in 1978 in Manchester, England, and immigrated to Canada in 1992.

Spriggs received a BFA in painting and sculpture from the Emily Carr Institute of Art & Design, Vancouver (2000), and an MFA in sculpture from Concordia University, Montreal (2007).[2]

He has exhibited internationally at galleries and museums such as the Southern Alberta Art Gallery, Lethbridge, Alberta (2008).[2] His work has been presented in solo exhibitions at the UQAM Gallery, University of Quebec, Montreal (2010),[2] Messum's Wiltshire in the UK, the Prague Bienniale 5 in the Czech Republic, the Louis Vuitton Gallery in Macau, and at Arsenal Contemporary Montreal.[3][non-primary source needed]

Group presentations have included the Sharjah Biennial (2009) and Arts Council Montreal (2009).[2] His work is in the permanent collections of the Montreal Museum of Fine Arts and the National Museum of Quebec. In 1998 he was the recipient of the Calgary Immigrants of Distinction Arts Award.[2]

In January 2023, his artwork "Red Gravity" was used as the cover for the Peter Gabriel song "Panopticom", the debut single from his forthcoming album "i/o", and it is used during live performances of the song on screens.

Spriggs is currently based in Vancouver, British Columbia.[4]

Art

[edit]

David Spriggs' installations are predominantly presented as large-scale immersive pieces, including the work Axis of Power commissioned and produced by the 9th Sharjah Biennial,[2] or his work Gold, a stratum of chromatic strips in an installation formed from 168 precisely layered spray paintings to form a 36-foot-wide installation.[5] For the work Gold, he spray-painted each layer by hand in order to create a composition of images reminiscent of the pediment that adorns the New York Stock Exchange.[6]

While there are some parallels that might be drawn with works pertaining to the Optic Art movement, most critics highlight that Spriggs' installations are not optic works. The illusory nature of the layered installations is just a means to realize a deeper concept: how we[who?] compose the apparent forms in our head. For the solo exhibition of Spriggs at the Neutral Ground Art Center in Saskatchewan, Canada, exhibition curator John G. Hampton wrote that "Spriggs' works are related to a process that relies upon the way we interpret vision, and exploits our Gestaltian[clarification needed] susceptibility to illusion conflating disparate parts into an actualized whole. His installation strategy undermines the veracity of its own illusion by allowing the viewer access to the sides of his installation, where the individual sheets are identifiable and the depth created by the layering is pulled apart. Spriggs’ virtual environments, like specters or holograms, create an illusion of physical presence without physicality. Instead, its physicality exists in the realm of the visual and in our mental processing of visual phenomena."[7][8]

Solo exhibitions

[edit]
  • Messums Wiltshire, Tisbury, United Kingdom, David Spriggs: Material Light, 2017 [9]
  • Wood Street Art Gallery. Pittsburgh, Pennsylvania, United States, David Spriggs: Gold. Permutations of Light, 2016 [10]
  • Musée des beaux-arts de Sherbrooke, Sherbrooke, Quebec, Canada, David Spriggs: PRISM, 2016 [11]
  • Arsenal Montreal, Montreal, Quebec, Canada, David Spriggs: PRISM, 2015 [12]
  • Galerie de l’UQAM, Montreal, Quebec, Canada, David Spriggs: Stratachrome [13]

Bibliography

[edit]
  • Relationscapes: Movement, Art, Philosophy, by Erin Manning, 2012 ISBN 9780262134903 [14]
  • David Spriggs, Stratachrome, by Marie-Eve Beaupré, 2010 ISBN 978-2-920325-33-3 [15]

Notes and references

[edit]
  1. ^ Medina, Guillaume (7 November 2011). "VICE - David Spriggs Creates Analog 3D Paintings". www.vice.com. Archived from the original on 28 June 2019. Retrieved 30 June 2020.
  2. ^ a b c d e f "people - Sharjah Art Foundation". sharjahart.org.
  3. ^ "David Spriggs — Arsenal Contemporary Art". 12 June 2017.
  4. ^ "David Spriggs". Unit London. Retrieved 30 June 2020.
  5. ^ "david spriggs' gold, ghostly figures turn the 'wealth pyramid' on its head". designboom | architecture & design magazine. 21 February 2017. Retrieved 30 June 2020.
  6. ^ "VICE - A Huge Gold Installation Flips the New York Stock Exchange Upside Down". www.vice.com. 19 February 2017.
  7. ^ "David Spriggs Holocene" (PDF). Neutral Ground. Archived from the original (PDF) on 24 October 2018.
  8. ^ Clément, Éric (5 April 2014). "Spriggs et Lachapelle chez Art mûr: saillies de désenchantés". La Presse (in French). Retrieved 30 June 2020.
  9. ^ "KINETICA-MUSEUM David Spriggs at Messums".
  10. ^ "Doomed Capitalism and Psychedelic Escape in David Spriggs and Matthijs Munnik's "Permutations of Light" at Pittsburgh's Wood Street Galleries". 17 February 2017.
  11. ^ "Musées engagés à Sherbrooke et Québec – les Artistes pour la Paix".
  12. ^ "David Spriggs à Arsenal Montréal présente Prism".
  13. ^ "UQAM.tv | Exposition: "David Spriggs. Stratachrome" à la Galerie de l'UQAM". 27 September 2010.
  14. ^ Relationscapes | the MIT Press. Technologies of Lived Abstraction. MIT Press. 27 February 2009. ISBN 9780262134903.
  15. ^ "David Spriggs. Stratachrome". Galerie de l'UQAM.
Retrieved from "https://en.wikipedia.org/w/index.php?title=David_Spriggs_(artist)&oldid=1263873738"