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Joe Osborn

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Joe Osborn
Osborn in 2012
Background information
Birth nameJoseph Osborn
Born(1937-08-28)August 28, 1937
Mound, Louisiana, U.S.
DiedDecember 14, 2018(2018-12-14) (aged 81)
Greenwood, Louisiana, U.S.
GenresPop, country, rock
OccupationSession musician
InstrumentBass guitar
Years active1960–2018

Joseph Osborn (August 28, 1937 – December 14, 2018[1]) was an American bass guitar player known for his work as a session musician in Los Angeles with the Wrecking Crew and in Nashville with the A-Team of studio musicians during the 1960s through the 1980s, playing on thousands of recordings (and hundreds of hit records) to become one of the most recorded bassists of all time.[2]

Early life

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Osborn was born in Mound, Madison Parish, Louisiana, and raised in Shreveport. He was one of two children born to Imogene Mayberry; his father lived in Texas. His grandmother, Viola Montalbo, played guitar, as did his three maternal uncles.[3] They taught him to play to the point where, by age 12, he was playing weekly in church—Osborn said that that was where he "really learned to play guitar".[4]

By the time he was nearing high school graduation, he was playing with bands in local bars. That included the band of Dale Hawkins, which Osborn joined with his friend and former schoolmate James Burton. After they recorded the Hawkins album ‘’Oh! Suzy Q’’, which included the hit “Susie Q”,[5] Burton told Osborn and Hawkins’ guitarist Roy Buchanan that country singer Bob Luman was looking for guitar players—Luman had secured a 12-month run at the Las Vegas Showboat Hotel. When Osborn and Buchanan arrived in Las Vegas, they found that Luman needed one guitar player and a bass player. Despite having no experience with the bass guitar, Osborn was elected to be the bass player. As Osborn recalled: “So I went and bought a Precision bass and the next night I was a bass player. No one told me I wasn’t supposed to play with a pick, and I liked the sound, so I kept the pick.”[4]

After a year with Luman, Buchanan and Osborn accepted a job at a bar in Calumet City, Illinois. “What a nightmare,” Osborn recalled. “Eight sets a night, seven days a week, started at eight o’clock, didn’t get off until four in the morning. But I was learning how to play the bass and I was getting chops. I could play anything. I had iron fingers.”[4]

Career

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Rick Nelson

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In January 1960, Osborn returned to Louisiana. In Bossier City, he was reunited with James Burton, who had just finished playing in Ricky Nelson’s band. Nelson was starting a new band, Burton put them in touch and, two weeks later, Osborn was in Los Angeles, as a member of Nelson’s new band.[4]

Nelson owned a house in the Hollywood Hills, which people called ‘The Nelson Bungalow’. Nelson’s manager was his father, Ozzie Nelson, who paid his son’s band members a weekly retainer of $100.00, often to arrive at 6:00 a.m. and do nothing. In the house was a room full of demos—unsolicited singles which aspiring songwriters had sent in the hope that Rick would record them. Ozzie Nelson wanted them all returned to the people who’d sent them and paid Osborn an extra $25 a week to mail them back. Instead, Osborn listened to them. One caught his attention and he brought it to Rick—it was Jerry Fuller’s "Travelin' Man" which, when released in 1961, became the biggest song of Nelson’s career.[4]

Two other musicians were hanging around the Nelson Bungalow—brothers Dorsey Burnette and Johnny Burnette, struggling songwriters who had resorted to sitting on the front steps of Nelson’s house until they could get a meeting with him. Their persistence paid off and Nelson recorded some of their songs. But Osborn struck up a friendship with them and they started writing songs together, many of which were recorded by Dorsey. Two Osborn/Burnett songs became major hits and continue to be recorded: “Here Comes That Feeling” became a career-making hit for Brenda Lee in 1962; "Gypsy Woman" was a hit for Nelson, among others.

With Nelson, the band members practiced at The Bungalow then went into the studio to record, then Rick would play a new single on his parents’ TV show, ‘’The Adventures of Ozzie and Harriet’’. His band had to appear on the show as well; between 1960 and 1964, Osborn appeared in 44 episodes. With Nelson, Osborn went on his one and only major tour, through the US, Australia and the Philippines. But Nelson’s popularity began to wane and, in 1964, he broke up the band.

Session musician

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Osborn had known Johnny Rivers since the early 1950s; Rivers was from Baton Rouge and used to travel up to Shreveport to play with Hawkins’ band, among the others Osborn was in. They reunited in Los Angeles and, in January 1964, Rivers was hired to play at the opening of a bar on the Sunset Strip—the Whisky a Go Go. The bar became legendary, very quickly, and Rivers was able to capitalize on it; in seven years, he released six albums centered on that one event. Osborn stayed with him for two years and played on all of his albums. The albums were produced by Lou Adler, founder of Dunhill Records. In 1965, he signed The Mamas and The Papas and asked Osborn to play on their first album. When they got into the studio, the engineer was Bones Howe, who Osborne had known since arriving in Los Angeles. Howe started producing music and, between Adler and Howe, Osborn’s career as a session musician was launched.[4]

For the next ten years, he was considered a "first-call" bassist among Los Angeles studio musicians[6] (known as The Wrecking Crew), frequently in combination with drummer Hal Blaine and keyboardist Larry Knechtel—the combination of Blaine, Osborn and Knechtel was referred to as the 'Hollywood Golden Trio'.[7] His playing can be heard on records by the Association, the Grass Roots[8] and the 5th Dimension. Osborn can be heard on Simon & Garfunkel's "Bridge over Troubled Water" and the 5th Dimension's version of "Aquarius/Let the Sunshine In". A song featuring prominently mixed bass in melodic counterpoint to acoustic guitars is the 1972 hit single "Ventura Highway" by the group America.

Osborn is known for his discovery and encouragement of the popular brother-and-sister duo Carpenters, on whose albums he played bass throughout their career.[6]

Osborn in 2012.

Work in Nashville

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In 1974, Osborn left Los Angeles and moved to the country and western capital, Nashville. He continued an active studio career, playing behind such vocalists as Kenny Rogers, Mel Tillis, and Hank Williams, Jr. One count listed Osborn as bassist on fifty-three number one hits on the country charts and at least 197 that were in the top 40's.[5] Osborn's musical gift has been credited to over 242 different songs, with many performances going uncredited in his early years.[9][deprecated source] Osborn left Nashville in 1988 and settled in Keithville in Caddo Parish near Shreveport in northwestern Louisiana.

Later life

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From 2005 until his death, Osborn was semi-retired. He continued to play and record with Richard Carpenter, played at his church, and recorded some albums in his son's Shreveport recording studio. His last recording, in May 2017, was an album by Micah Harold.[citation needed]

Personal life and death

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Osborn was married to Gwendolyn Sue Spears (1937-2008); they had two sons and two daughters. He died of pancreatic cancer at his home on December 14, 2018, age 81.[1][10] Upon his death, one of his daughters-in-law launched a fundraising campaign for "final expenses".[11]

Equipment and style

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Osborn's instrument throughout most of his recording career was a 1960 Fender stack-knob Jazz Bass, which was given to him by Fender just prior to touring Australia with Nelson. Osborn said he was initially disappointed that Fender had not sent him a Precision Bass, which he had been using, but he said he grew to like the Jazz Bass because the narrower neck made it easier for his short fingers. He strung the bass with LaBella flatwound strings that he did not change for 15 years and his style was distinctive, with a resonant, bright tone produced, in part, by his use of a plectrum (pick). This guitar is on permanent display at Musicians Hall of Fame and Museum in Nashville, TN.

Many producers and arrangers chose to spotlight Osborn's contributions by mixing the bass line more prominently than had been customary, and incorporating brief bass solos into their arrangements.[12]

He had a signature bass, the "Joe Osborn Signature", made by American guitar manufacturer Lakland and since re-named the 'Lakland 44-60 Vintage J Bass'.[13] In 2012, Fender Guitar built a custom Fender Jazz Bass for Osborn according to his desired specifications. He recorded with this bass for the first time when producing and playing bass on teen musician Matthew Davidson's 2014 debut recording.[14][15]

Awards and honors

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  • 1980 Bass Player of the Year, Nominee, Academy of Country Music[16]
  • 1981 Bass Player of the Year, Winner, Academy of Country Music
  • 1982 Bass Player of the Year, Nominee, Academy of Country Music
  • 1983 Bass Player of the Year, Winner, Academy of Country Music
  • 1984 Bass Player of the Year, Winner, Academy of Country Music
  • 1985 Bass Player of the Year, Winner, Academy of Country Music
  • 2010 Inductee, Louisiana Music Hall of Fame.[2]

Discography

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1962-1970

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1971-1979

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1980-2018

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As Songwriter

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Song Co-Writer/s Year Recorded By
"Tired And Lonesome Rebel" Dorsey Burnette 1960 Nick Adams
"Here Comes That Feeling" D. Burnette 1960 Richard Anthony, Brenda Lee et al
"Town Girl" D. Burnette 1962 The Brook Brothers, Myron Lee
"School's Out" D. Burnette 1962 Myron Lee
"I'm A Waitin' For Ya Baby" D. Burnette 1962 Dorsey Burnette
"Wishing" D. Burnette 1962 Barry Boyd
"Who You Been Lovin'" D. Burnette 1962 Barry Boyd
"It Don't Take Much" D. Burnette, Johnny Burnette 1963 Dorsey Burnette, The Coasters
"No One But Him" D. Burnette 1963 Dorsey Burnette
"Gypsy Woman" D. Burnette 1963 Rick Nelson et al
"Mad Mad World" D. Burnette 1963 Rick Nelson
"Magic Moon" Dorsey Burnette, Johnny Burnette 1963 Ned Miller
"Daisy Mae" James Burton 1963 Jim & Joe
"Everytime I See You Smiling" D. Burnette 1963 Rick Nelson
"Risin’ High" D. Burnette, J. Burnette 1963 Tex Williams
"Hey Sue!" D. Burnette, J. Burnette 1963 The Canadian Sweethearts
"Walk Myself On Home" Eddie Rubin 1963 Johnny Rivers et al
"Love" D. Burnette 1964 Lucille Starr & Bob Regan
"Ever Since The World Began" D. Burnette 1964 Dorsey Burnette
"Cold As Usual" D. Burnette 1964 Dorsey Burnette
"Little Acorn" D. Burnette 1964 Dorsey Burnette
"We're Gonna Stand Up On The Mountain" D. Burnette 1964 Lucille Starr & Bob Regan
"Little Girl, Big Love" D. Burnette 1964 Young Billy Beau
"Johnny Come Lately" Alton Jones 1964 Billie Jean Horton
"Night Winds" D. Burnette 1965 The Dillons
"Magic Of Love" D. Burnette 1965 Johnny Jackson
"Jimmy Brown" D. Burnette 1965 Dorsey Burnett
"Everybody's Angel" D. Burnette 1965 Dorsey Burnett
"Catch A Little Raindrop" D. Burnette 1965 Claude King
"Christmas Party" A. Jones, Burton 1965 Nick Hoffman
"Jimmy's Blues" Burton, Mickey Jones 1965 James Burton
"Oh What A Night" A. Jones 1965 The Memphis Men
"One Of These Days" A. Jones 1965 Tommy Lee (Hasbun)
"Dream World" A. Jones 1965 Tony Cary
"If You See Me Cry" A. Jones 1965 Tommy Lee (Hasbun)
"Time And Time Again" D. Burnette 1965 Brenda Lee
"If You Want To Love Somebody" D. Burnette 1965 Dorsey Burnette
"Teach Me Little Children" D. Burnette 1965 Dorsey Burnette, Frank Ifield et al
"In The Morning" D. Burnette 1966 Dorsey Burnette
"To Remember" D. Burnette 1966 Dorsey Burnette
"Not Tonight Josephine" Christian Bruhn 1966 Siw Malmkvist
"Changes" Mike Deasy 1968 The Ceyleib People
"Ceyladd Beyta" Deasy 1968 The Ceyleib People
"Sneaky Strings" Burton 1969 James Burton & Ralph Mooney
"Check It Out" Artie Butler 1972 The Real Thing
"One Mornin'" D. Burnette 1977 Dorsey Burnette
"Standing On The Outside Of Her Door" D. Burnette 1977 Robert Gordon
"All I Knew To Talk About Was Texas" Jerry Allison 1978 Red Steagall et al
"Sail Away" Karl Himmel, Nicolette Larson 1979 Neil Young

References

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  1. ^ a b Joe Osborn, Wrecking Crew Bassist, Dies at 81: Billboard. Retrieved January 8, 2019.
  2. ^ a b "Joe Osborn". Louisiana Music Hall of Fame. Archived from the original on April 24, 2019. Retrieved January 24, 2017.
  3. ^ "Imogene Mayberry". legacy.com. Legacy. Retrieved 20 March 2025.
  4. ^ a b c d e f Freeman, Paul. "JOE OSBORN: THE WRECKING CREW'S IRON-FINGERED, MUSICALLY INVENTIVE BASS PLAYER". popcultureclassics.com. Pop Culture Classics. Retrieved 20 March 2025.
  5. ^ a b "A Few (Hundred) Hits". Vintage Guitar. October 1998.
  6. ^ a b Schmidt, Randy L. (2011). Little Girl Blue: The Life of Karen Carpenter. Foreword by Dionne Warwick. Chicago Review Press. p. 32. ISBN 978-1-55652-976-4.
  7. ^ Small, Mark. "Score: 'Bridge Over Troubled Water'". Berklee College of Music. Retrieved January 24, 2017.
  8. ^ "The Grass Roots Biography". The-grassroots.com. Archived from the original on January 26, 2015. Retrieved January 24, 2017.
  9. ^ "Joe Osborn discography - RYM/Sonemic". Rate Your Music. Retrieved October 24, 2023.
  10. ^ "Help Grant Shreveport Music Legend's 81st Birthday Wish". Mykisscountry937.com. August 28, 2018. Retrieved June 11, 2021.
  11. ^ Osborn, Dave. "Joe Osborn RIP". bassoutpost.com. The Lass Bass Outpost. Retrieved 20 March 2025.
  12. ^ Johnson, Kevin (July 19, 2012). "Stories Behind the Songs: Joe Osborn". No Treble.
  13. ^ "44-60/55-60 (Vintage J)". Lakland. Archived from the original on March 11, 2016. Retrieved January 24, 2017.
  14. ^ Johnson, Kevin (September 13, 2012). "Matthew Davidson Releases "Step Up" EP, Featuring Joe Osborn". No Treble.
  15. ^ "Teen Guitar Prodigy Matthew Davidson Steps Up with Release of Debut Recording". PRWeb. September 6, 2012. Archived from the original on September 4, 2014.
  16. ^ "Academy of Country Music | Search Winners". Acmcountry.com. Retrieved October 24, 2023.
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