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Kamalatmika

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Kamalatmika
Bestower of Divine Bliss[1]
Member of The Ten Mahavidyas
Kamalatmika
Kamala flanked by elephants
Devanagariकमला
Sanskrit transliterationKamalā
AffiliationMahavidya, Shaktism,
SymbolLotus
MountElephant
Consortkamala bairava[2]

In Hinduism, Kamalā (Sanskrit: कमला) transl. 'lotus' or Kamalātmikā, (Sanskrit: कमलात्मिका) also known as Kamalālayā (transl. the one who dwells in lotuses) is considered to be the Tantric characterisation of the goddess of prosperity, Lakshmi.[3] In Shaktism, she is represented as the Devi in the fullness of her graceful aspect. She is believed to be the tenth and the last Mahavidya.[4] She is also considered to be the last form of the goddess Adi Parashakti.

Iconography

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In Shakti tradition, the lotus goddess is exalted thus:[5]

She has a beautiful golden complexion. She is being bathed by four large elephants who pour jars of nectar over her. In her four hands, she holds two lotuses and makes the signs of granting boons and giving assurance. She wears a resplendent crown and a silken dress. I pay obeisance to her who is seated on a lotus in a lotus posture.'

Let Kamalā protect us by her wonderful side-glances that delight the heart of shiva. She is seated on a lotus, has a smiling face, and with her four hands holds two lotuses and makes the signs of giving favours and granting assurance. Her complexion is like the brightness of lightning. Her breasts are firm and heavy and are decorated with garlands of pearls.

She is resplendent like the rising sun and wears a bright moon disc on her brow. She is adorned with a crown and necklace of jewels. She is bent down due to the weight of her large breasts, and in her hands, she holds two lotuses and two bunches of rice shoots. She has three lotus-like eyes. She wears the kausțubba gem and has a smiling face.

The fact that Kamala is associated with elephants has two connotations: Firstly, elephants are harbingers of clouds and rain in Hinduism, thus indicating fertility; Secondly, as a powerful creature, it represents royal authority and divinity. Her relationship with the lotus suggests that she exists in a state of refinement that transcends the material world, and yet is rooted in it.[6]

Notes

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Sources

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  1. ^ Frawley, David (2010). Mantra Yoga and Primal Sound: Secret of Seed (Bija) Mantras. ISBN 9780910261944.
  2. ^ "Tattvālokah". 1995.
  3. ^ Frawley, David (2010). Mantra Yoga and Primal Sound: Secret of Seed (bija) Mantras. Lotus Press. ISBN 978-0-910261-94-4.
  4. ^ Kinsley, David R. (1997). Tantric Visions of the Divine Feminine: the Ten Mahāvidyās. Berkeley: University of California Press. p. 223. ISBN 0-520-20498-0.
  5. ^ Kinsley, David R. (1998). Tantric Visions of the Divine Feminine: The Ten Mahāvidyās. Motilal Banarsidass Publ. p. 223. ISBN 978-81-208-1522-3.
  6. ^ Kinsley, David R. (1998). Tantric Visions of the Divine Feminine: The Ten Mahāvidyās. Motilal Banarsidass Publ. p. 226. ISBN 978-81-208-1522-3.

Further reading

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  • Hindu Goddesses: Vision of the Divine Feminine in the Hindu Religious Traditions (ISBN 81-208-0379-5) by David Kinsley