Jump to content

Michael Bowen (artist)

From Wikipedia, the free encyclopedia
Michael Bowen
200px
Michael Bowen, 1990
Born(1937-12-08)December 8, 1937
Beverly Hills, California, United States
DiedMarch 7, 2009(2009-03-07) (aged 71)
Stockholm, Sweden
NationalityAmerican
EducationChouinard Art Institute, Los Angeles
Known forPainting, Performance art
Notable workRed future? (1959)
LOVE portrait (1966)
Human Be-In as performance art (1967)
MovementVisionary art
Websitehttp://art.percepticon.com

Michael Francis Bowen[1][2] (December 8, 1937 – March 7, 2009) was an American fine artist known as one of the co-founders of the late 20th and 21st century Visionary art movements.[3] His works include paintings on canvas and paper,[4] 92 intaglio etchings based on Jungian psychology, assemblage, bronze sculpture, collage, and handmade art books.[5]

An icon of the American Beat Generation and the 1960s counterculture, Bowen is also known for his role in inspiring and organizing the first Human Be-In in San Francisco.[6] Chronicled in books and periodicals reflecting on the turbulent 1960s, Bowen's historical impact on both the literary and visual art worlds is well documented.[7] He remains influential among avant-garde art circles around the world.[8]

Early career in Los Angeles

[edit]

Michael Bowen was born December 8, 1937, in Beverly Hills to Grace and Sterling Bowen. His father was a dentist.[9] His mother's lover was Benjamin (Bugsy) Siegel, affectionately known as "Uncle Benjie", who would often take the youthful Bowen to not only the Flamingo Hotel on the Las Vegas Strip in Paradise, Nevada that he created, but also to the Sir Francis Drake Hotel near Union Square in downtown San Francisco. Bowen's early romance with San Francisco established this city as his home base from which he would frequently travel to other places in the world.[10]

He started his art career at age 17, when he joined the American installation artist Ed Kienholz in his Los Angeles studio. There he met and joined with other influential Beat Generation artists including Wallace Berman, John Altoon, and Dennis Hopper. Bowen participated in the construction of the Ferus Gallery and Now Gallery created by Ed Kienholz[11] and curated by Walter Hopps.[12] Bowen attended the Chouinard Art Institute for several years during his formative artistic experiences in Los Angeles.[13]

Early mystical education

[edit]

Bowen's grandmother, Alma Porter, was a member of The Theosophical Society in Ojai, California, where young Bowen was exposed to the significance of esoteric metaphysics and modern art.[10] In Los Angeles, teenage Bowen's many visits to the mystical gatherings at Samson De Brier's house further solidified his early Asian philosophical studies.[citation needed]

In the late 50s and early 60s, Bowen continued his spiritual training and research. He investigated and practiced a variety of occult topics,[14] Eastern philosophies, and mysticism, and his artwork reflected these themes.[15][16] Bowen is often referred to as a mystic artist. As a lifelong student of the Bhagavad-Gita, Bowen's entire career has emulated the spiritual warrior archetype of Arjuna, fighting for the Bill of Rights of the United States Constitution.[17]

San Francisco Beat Generation

[edit]
Red Future? 1959

Michael Bowen moved to San Francisco in the late 1950s, and along with fellow artist comrades[18] Arthur Monroe[19] and Michael McCracken,[20] lived and worked out of 72 Commercial Street. Painting spontaneous, impromptu, hectic canvases, along with assemblage and collage, Bowen became an integral part of the San Francisco Renaissance.[citation needed]

The Norwegian art patron and physician Reidar Wennesland[21] befriended Bowen and many of his bohemian artist friends and collected their artwork.[22] Bowen's work now makes up the majority of the paintings in the Wennesland Foundation Collection[23] located in Kristiansand, Norway, alongside many other important North Beach artists, such as Jay DeFeo.[24]

A 1963 painting of Janis Joplin by Bowen, along with his prophetic 1966 Love painting,[25] are examples of the Bowen works in the Wennesland collection.[26]

His style progressed from large abstract expressionist canvases to figuratives and large faces, to assemblage. Bowen's painting about McCarthyism, Red Future? from the Wennesland Collection, was featured in the 1995 Whitney Museum exhibition Beat Culture and the New America, 1950-1965, which opened in New York City,[27] and then traveled to the Walker Art Center in Minneapolis and the De Young Museum in San Francisco, California.[citation needed]

Exile from San Francisco

[edit]

In 1963, police brutality and persecution drove many of the Beat Generation writers, musicians, and artists out of San Francisco.[citation needed] Michael Bowen, along with many of his artist friends moved to an old Abalone Factory in Princeton by the Sea, where they lived and painted for many months. Bowen's singer friend, Janis Joplin was a frequent guest at the Princeton Abalone studio.[28]

In 1963, on one of Bowen's visits to be with his mentor in Tepoztlan, he was initiated into an ancient Aztec shamanic ceremony that inspired his future work with world consciousness transformation.[citation needed] After his initiation, Bowen traveled to New York City, where he established a studio in the Lower East Side and met with many of the Beat Generation artists, writers, and musicians living on America's East Coast. He often visited the two former Harvard professors Timothy Leary and Ram Dass, then Richard Alpert, in their mansion at Millbrook, New York, where a new variety of consciousness experimentations were being conducted.[29]

Haight-Ashbury and the Summer of Love

[edit]

San Francisco Oracle and the Love Pageant Rally

[edit]

In the summer of 1966, Bowen traveled back to San Francisco and established a studio/ashram in the middle of the newly burgeoning Haight-Ashbury neighborhood. Along with the poet Allen Cohen, Bowen co-founded the underground newspaper, San Francisco Oracle[30] that broadcast the 60s counterculture ideology. Bowen became the art director and let his studio become the offices for the Oracle,[31] while Cohen was the editor.[32]

As the S.F. Oracle guru, Bowen hosted the first underground press meeting at his studio at Stinson Beach.[33]

On October 6, 1966, Bowen and Cohen organized the Love Pageant Rally, a celebration against the new law criminalizing LSD in California. Because of Bowen's friendship and invitation, Janis Joplin came to the event along with her band, Big Brother and the Holding Company, and played for free.[34] About 3,000 people attended the Love Pageant Rally, and towards the end, Ram Dass, Cohen, and Bowen discussed having another event, this time much bigger, to celebrate the newly developing hippie counterculture and consciousness expansion in San Francisco.[35][36]

The Human Be-In

[edit]
Main article: Human Be-In
Human Be-In Poster 1967

The event the three counterculture leaders previously envisioned became the Human Be-In, which took place on January 14, 1967. The event was primarily organized by Bowen.[37][38] He created the poster promoting the event,[39] organized the city permit,[40] invited the Beat Generation speakers, including Allen Ginsberg, Gary Snyder, Lenore Kandel, Michael McClure, and Timothy Leary, and scheduled the San Francisco rock bands, including The Grateful Dead and Jefferson Airplane, who played for free at the event. The Hells Angels provided security, and a flatbed truck with amplification driven by a gas generator was donated to create a stage. The Human Be-In was a coming together of people for no other reason than to just "BE"; to make love, not war, to share and commune with new friends and to celebrate life.[41] The Human Be-In, sometimes referred to as a Love-In,[42] was specifically designed by Bowen to be imitated and to be remembered into the future.[43] As a lifelong fine artist, Bowen considered his creation of the Human Be-In to be performance art.[citation needed] This notion was confirmed by an Italian journalist, who calls Bowen "The father of performance art" for his Human Be-In creation.[44]

Flower Power

[edit]

On October 21, 1967, 75,000 anti-war protesters surrounded the Pentagon in Washington D.C. On that day, Bowen organized 200 lbs. of daisies, purchased by his New York friend Peggy Hitchcock (wife of Walter Bowart) to be dropped from a light aircraft onto the Pentagon, but the FBI heard of the plan and seized the aircraft, so the flowers were distributed to the protesters as the Military Police protected the Pentagon from the massive anti Vietnam War demonstration. The daisies, brought to the front lines of the tense confrontation by Bowen and others, were taken by the demonstrators and put into the nearest holder that symbolically communicated their anti-war sentiment.[45]

The iconic photograph "Flower Power", taken by photojournalist Bernie Boston, of the daisies being put into the bayoneted gun barrels of the soldiers by the unarmed anti-war demonstrators, was nominated for a Pulitzer Prize in 1968.[46] The photograph "flower power" is listed as #30 among the top 100 wartime photographs and the idealism of flower power remains as an anti-war symbol.[citation needed]

India and Nepal

[edit]

In 1969, Bowen made his first pilgrimage to India and Nepal where he completed a series of drawings and sketches. These drawings were made into a book, Journey to Nepal, published by City Lights Books in 1970.[citation needed]

Throughout his five-decade career, many of the themes in Bowen's artworks represent sukhavati, the pure land or place of bliss. As a long-time student of Vedanta, Bowen's images are best understood through the lens of the ancient Dharmic Wisdom traditions of Asia.[47]

In the early 1990s, Bowen found an abandoned cement traffic barrier in Golden Gate Park and claimed to have transformed it into a Shiva lingam. It then became a site of worship and veneration until the authorities had him remove it.[48] At that time, he was known as Baba Kali Das.[citation needed]

Personal life

[edit]

Bowen married three times; the first marriage was to actress Sonia Sorel (1921–2004).[49] The marriage ended in divorce. His second wife was Martine Algier. His third marriage, to Isabella Bowen, lasted until his death. He is survived by his sons, Ramakrishna and Indra, actor Michael Bowen Jr., and daughters Maitreya and Kaela.[50]

Death

[edit]

Bowen died in Stockholm of complications of childhood polio on 7 March 2009.[50]

References

[edit]
  1. ^ "Lubbock Evening Journal Archives, May 13, 1957, p. 1". 13 May 1957.
  2. ^ "Join Ancestry®".
  3. ^ Thomas Albright, Visionary Art, In a Process of Defining Itself, Rolling Stone no. 91 Sept. 16, 1971, pp. 50-52
  4. ^ "ART.percepticon.com: Great Art". Art.percepticon.com. Archived from the original on October 19, 2018. Retrieved November 4, 2008.
  5. ^ "Dailymotion - Bowen book, een video van jesarchives. mailart, artists". Dailymotion.com. 23 May 2007. Retrieved November 4, 2008.
  6. ^ "The Beat Generation - Beat Pics Gallery pic 151". Beatsupernovarasa.com. Retrieved November 4, 2008.
  7. ^ Maxwell Riddle, Palm Springs Life, June 1986 XXVIII/number 10, "Lady of the Night Michael Bowen's Cafe Life"
  8. ^ Ted Owen, 1999 'High Art' Sanctuary Publishing Limited, pp. 92-94; ISBN 1-86074-256-4
  9. ^ "Dr. Sterling Bowen profile". Zpub.com. Retrieved November 4, 2008.
  10. ^ a b Carl Abrahamsson, Olika Människor, h:ström, page 143; ISBN 978-91-7327-021-2
  11. ^ "The Beat Generation - Beat Pics Gallery pic 139". Beatsupernovarasa.com. Retrieved November 4, 2008.
  12. ^ "FIUWAC News". Fiuwac.com. Retrieved November 4, 2008.
  13. ^ Maxwell Riddle, Palm Springs Life June 1986, vol XXVIII/no. 10, pg 60
  14. ^ "The Beat Generation - Beat Pics Gallery pic 74". Beatsupernovarasa.com. Archived from the original on January 8, 2009. Retrieved November 4, 2008.
  15. ^ "Swami Vivekananda". Beatsupernovarasa.com. Retrieved November 4, 2008.
  16. ^ Frida Forsgren, San Francisco Beat Art in Norway, Press Publishing (2008), pg 77; ISBN 978-82-7547-299-9
  17. ^ Carl Abrahamsson, Olika Människor, h:ström, page 144; ISBN 978-91-7327-021-2
  18. ^ "The Beat Generation - Beat Pics Gallery pic 186". Beatsupernovarasa.com. Retrieved November 4, 2008.
  19. ^ [1][dead link][dead link]
  20. ^ "Michael McCracken Memorial". Woodstocknation.org. Archived from the original on September 5, 2008. Retrieved November 4, 2008.
  21. ^ no:Reidar Wennesland
  22. ^ Thor Myhre, Kunst og Kolera, Norwegian academic press, 1996; ISBN 82-7634-076-8
  23. ^ "Welcome to the Dr. Reidar Wennesland Collection". Beat-art.no. Archived from the original on July 24, 2011. Retrieved November 4, 2008.
  24. ^ "Beat Back". Sfweekly.com. Retrieved November 4, 2008.
  25. ^ "Half Moon Bay Memories". Halfmoonbaymemories.com. Archived from the original on May 15, 2008. Retrieved November 4, 2008.
  26. ^ "Dr. Reidar Wenneslands stiftelse". Beat-art.no. Archived from the original on July 24, 2011. Retrieved November 4, 2008.
  27. ^ Lisa Philips, Beat Culture and the New America: 1950-1965, Whitney Museum 1995; ISBN 0-87427-098-7
  28. ^ June Morrall, Princeton by the Sea, Arcadia Publishing 2007, pp. 98-103; ISBN 978-0-7385-5583-6
  29. ^ Gary Lachman, Turn Off Your Mind, Disinformation Company 2001, pg 343; ISBN 0-9713942-3-7
  30. ^ "American Experience | Summer of Love". Pbs.org. Archived from the original on October 14, 2007. Retrieved November 4, 2008.
  31. ^ "Allen Cohen". Net.info.nl. Archived from the original on June 18, 2008. Retrieved November 4, 2008.
  32. ^ Allen Cohen, San Francisco Oracle Facsimile edition, Mark B. Weinman publisher 1990; ISBN 0-916147-11-8
  33. ^ "The Rag: The Movement and the New Media". Archived from the original on 11 May 2011. Retrieved 1 March 2016.
  34. ^ "The Beat Generation - Beat Pics Gallery pic 27". Beatsupernovarasa.com. Retrieved November 4, 2008.
  35. ^ "The "Human Be-in" Name". Sfbg.com. Retrieved November 4, 2008.
  36. ^ Gene Anthony (1980). The Summer of Love: Haight-Ashbury at Its Highest (PDF). John Libbey Eurotext. ISBN 0867194219. Archived from the original (PDF) on June 6, 2007.
  37. ^ "Chronology of San Francisco Rock 1965-1969". Sfmuseum.net. Archived from the original on September 28, 2007. Retrieved November 4, 2008.
  38. ^ "The Human Be-In and The Hippy Revolution - Radio Netherlands Worldwide - English". Radionetherlands.nl. January 22, 2003. Archived from the original on April 21, 2006. Retrieved November 4, 2008.
  39. ^ "San Francisco Bay Guardian". Sfbg.com. Retrieved November 4, 2008.
  40. ^ "Permit story for Human Be-In". Sfbg.com. Retrieved November 4, 2008.
  41. ^ "American Experience | Summer of Love". Pbs.org. Archived from the original on December 23, 2008. Retrieved November 4, 2008.
  42. ^ Timothy Leary, Flashbacks, J.P. Tarcher Inc. 1983, pg 258; ISBN 0-87477-177-3
  43. ^ "Hippy". www.hippy.com. Archived from the original on 2009-07-25.
  44. ^ Stella Spinelli, La Nazione, Giovedi, 17, 1998, Bowen Carmignano Exhibit, "He is the Father of Performance Art" PO-V.
  45. ^
    • Acid Dreams (book)
    • Shlain, Bruce; Lee, Martin (1992). Acid dreams: the complete social history of LSD: the CIA, the sixties, and beyond. New York: Grove Weidenfeld. p. 205. ISBN 0-8021-3062-3.
  46. ^ "Flower Power". 10 April 2008. Retrieved November 4, 2008.
  47. ^ Gerd Hennum (1998). På sporet av Beat-bohemene (On the trail of the Beat bohemians). H. Aushehoug and Co. pp. 156–58. ISBN 82-03-22254-4.
  48. ^ "Precious Stone: One Man's Traffic Barrier Is Another's Sacred Relic—Just Ask San Francisco Guru Baba Kali Das". People. December 5, 1994. Retrieved 2009-12-05.
  49. ^ Sonia Sorel IMDb profile, imdb.com; accessed February 29, 2016.
  50. ^ a b Variety Staff (27 April 2009). "Artist Michael Bowen dies at 71". Variety. Retrieved 1 March 2016.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Michael_Bowen_(artist)&oldid=1254466804"