Classical Greek culture, especially philosophy, had a powerful influence on ancient Rome, which carried a version of it throughout the Mediterranean and much of Europe. For this reason, Classical Greece is generally considered the cradle of Western civilisation, the seminal culture from which the modern West derives many of its founding archetypes and ideas in politics, philosophy, science, and art. (Full article...)
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.
Greek architecture, technically very simple, established a harmonious style with numerous detailed conventions that were largely adopted by Roman architecture and are still followed in some modern buildings. It used a vocabulary of ornament that was shared with pottery, metalwork and other media, and had an enormous influence on Eurasian art, especially after Buddhism carried it beyond the expanded Greek world created by Alexander the Great. The social context of Greek art included radical political developments and a great increase in prosperity; the equally impressive Greek achievements in philosophy, literature and other fields are well known. (Full article...)
... that there was a man called Herakles, and he was part god because he was the son of Zeus and had super strength and had 12 hard labours and still completed all of them!
Pindar (/ˈpɪndər/; Ancient Greek: ΠίνδαροςPindaros[píndaros]; Latin: Pindarus; c. 518 BC – c. 438 BC) was an Ancient Greek lyric poet from Thebes. Of the canonicalnine lyric poets of ancient Greece, his work is the best preserved. Quintilian wrote, "Of the nine lyric poets, Pindar is by far the greatest, in virtue of his inspired magnificence, the beauty of his thoughts and figures, the rich exuberance of his language and matter, and his rolling flood of eloquence, characteristics which, as Horace rightly held, make him inimitable." His poems can also, however, seem difficult and even peculiar. The Athenian comic playwright Eupolis once remarked that they "are already reduced to silence by the disinclination of the multitude for elegant learning". Some scholars in the modern age also found his poetry perplexing, at least until the 1896 discovery of some poems by his rival Bacchylides; comparisons of their work showed that many of Pindar's idiosyncrasies are typical of archaic genres rather than of only the poet himself. His poetry, while admired by critics, still challenges the casual reader and his work is largely unread among the general public.
Pindar was the first Greek poet to reflect on the nature of poetry and on the poet's role. His poetry illustrates the beliefs and values of Archaic Greece at the dawn of the Classical period. Like other poets of the Archaic Age, he has a profound sense of the vicissitudes of life, but he also articulates a passionate faith in what men can achieve by the grace of the gods, most famously expressed in the conclusion to one of his Victory Odes: (Full article...)
Image 2An Ancient Greek pair of terracotta boots. Early geometric period cremation burial of a woman, 900 BC. Ancient Agora Museum in Athens. (from Greek Dark Ages)
Image 22The Parthenon, a temple dedicated to Athena, located on the Acropolis in Athens, is one of the most representative symbols of the culture and sophistication of the ancient Greeks. (from Ancient Greece)
Image 23Early Athenian coin, depicting the head of Athena on the obverse and her owl on the reverse – 5th century BC. (from Ancient Greece)
Image 26Finds from an early geometric Cremation Burial of a pregnant wealthy woman, from the N.W. of the Areopagus, about 850 BC, Ancient Agora Museum (Athens); exhibit 14–16: broad gold finger rings; exhibit 17–19: gold finger rings; 20: pair of gold earrings with trapezoid endings (from Greek Dark Ages)
Image 30The gymnasium and palaestra at Olympia, the site of the ancient Olympic games. The archaic period conventionally dates from the first Olympiad. (from Archaic Greece)
Image 34Geometric-style box in the shape of a barn. On display in the Ancient Agora Museum in Athens, housed in the Stoa of Attalus. From early geometric cremation burial of a wealthy pregnant woman, 850 BC. (from Greek Dark Ages)
One of the Pitsa panels, the only surviving panel paintings from Archaic Greece. The most respected form of art, according to authors like Pliny or Pausanias, were individual, mobile paintings on wooden boards, technically described as panel paintings.