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Sindhooram (1997 film)

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For the 2023 Telugu film, see Sindhooram (2023 film).

Sindhooram
DVD cover
Directed byKrishna Vamsi
Written byStory & Screenplay:
Krishna Vamsi
Dialogues:
K. N. Y. Patanjali
Produced byMullapudi Mohan
StarringBrahmaji
Sanghavi
Ravi Teja
Soundarya
CinematographyS. K. A. Bhupathi
Edited byShankar
Music bySri
Production
company
Andhra Talkies
Release date
  • 12 September 1997 (1997-09-12)
Running time
144 minutes
CountryIndia
LanguageTelugu

Sindhooram (transl. Vermilion) is a 1997 Indian Telugu-language crime drama film written and directed by Krishna Vamsi. The film stars Brahmaji and Sanghavi, with Ravi Teja and Soundarya (Geeta) in supporting roles. The film examines the complexities of Naxalism in Andhra Pradesh, focusing on the societal and emotional factors driving educated individuals to join the movement.[1][2]

Although the film received critical acclaim for its portrayal of a sensitive subject, it was a commercial failure. Sindhooram won the National Film Award for Best Feature Film in Telugu,[3] was screened at the International Film Festival of India,[4] and received five Nandi Awards.[5]

Plot

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A group of police constables returning from election duty is ambushed by Naxalites, who blow up their vehicle.

Bulliraju, a trainee police officer with a strong sense of justice, hails from a village near the Godavari River. In the village, his friends Chanti, Bairagi, and Satipandu are wayward youth who spend their time drinking, gambling, and teasing women. Some of them are also informants for the Naxalites operating in the nearby forest. The village is home to various other characters, including landlords, policemen, doctors, farmers, and labourers. Baby, who is in love with Bulliraju, and Lakshmi, who has feelings for Chanti, are among the villagers.

Bulliraju returns home during his training and discovers that the local police serve the interests of the wealthy rather than upholding justice. When Satipandu is accused of being a Naxalite, the police detain and torture him. Bulliraju intervenes but is also taken into custody. During the altercation, the sub-inspector kills Satipandu, and Bulliraju accidentally shoots the officer. Branded as a Naxalite, Bulliraju is forced to flee and eventually becomes the leader of the group, despite lacking any allegiance to Communist or Maoist ideologies. Bulliraju transforms the group into a vigilante force focused on delivering justice to the oppressed rather than propagating political ideology. He gains widespread support, becoming a symbol of law and order for 30 surrounding villages. However, to the police, his actions remain illegal, as his group operates outside the law, challenging the official authority.

Bulliraju's former training officer is tasked with eradicating Naxalism from the area and views Bulliraju as a traitor who infiltrated police training to exploit their methods. The conflict intensifies when Bairagi is betrayed and captured by an arms dealer. In response, Bulliraju kidnaps a local minister to negotiate his release. Facing continuous assaults from the police, poisoned water, harsh weather, and dwindling resources, Bulliraju's group suffers heavy losses. The story culminates in a final confrontation between the police and Bulliraju's gang, resulting in numerous casualties on both sides.

The film emphasizes that justice is essential for a stable society. When denied through official channels, people are compelled to seek it by their own means, often leading to chaos and unrest.

Cast

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Production

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Sindhooram was produced and directed by Krishna Vamsi under his banner, Andhra Talkies,[7] with the aim of blending entertainment with social awareness. After the success of his earlier films, producers expected him to make another commercial hit like Ninne Pelladatha or Gulabi. However, Vamsi chose to focus on deeper themes, inspired by the sacrifices of social activists who were often killed while working for societal betterment. The film sought to explore these themes and highlight the lives of individuals who made these sacrifices, which were often overlooked by the public.[8]

Krishna Vamsi drew inspiration from the film Bad Boys and envisioned creating a similar story set in a rural backdrop. He wanted to showcase the beauty of Godavari River while maintaining the region's authenticity. The film focused on the rise of the Naxalite movement and the reasons behind young, educated individuals turning to violence instead of pursuing conventional education. Krishna Vamsi aimed to present the complex realities of these movements, which were often oversimplified or misunderstood.[8]

Motivated by a desire to understand the truth behind the killings of social activists, Krishna Vamsi studied "red films" (erra cinemalu), which he found crude and simplistic in their portrayal of violence. He wanted to offer a more nuanced perspective in Sindhooram. Krishna Vamsi began by depicting the consequences of violence in the film’s opening shot and researched why educated students, such as medical and engineering students, joined the Naxalite movement. His goal was to uncover the untold stories behind their decisions and raise awareness of the sacrifices they made for societal change. Despite advice from industry figures to alter a 20-minute sequence in the second half for broader commercial appeal, Krishna Vamsi stayed true to his original vision.[8]

The casting choices were essential to Krishna Vamsi's vision of breaking away from typecasting. Brahmaji, a long-time acquaintance of Krishna Vamsi, was chosen for his acting ability and suitability for the role. He selected Ravi Teja, who had previously worked as an assistant director on Ninne Pelladata, for his unique traits, such as his imitating skills and energetic persona.[8]

Music

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The music for the film was composed by Sri, with all the lyrics written by Sirivennela Seetharama Sastry, except for the song "Hai Re Hai," which was penned by Chandrabose. The soundtrack received positive reviews.

No. Title Singer(s) Writer(s) Duration
1. "Edu Malelethu Sukumariki" Pradeep, Satyam Sirivennela Seetharama Sastry 4:48
2. "Hai Re Hai" Sri Kommineni Chandrabose 4:48
3. "Oo Cheli Anarkali" Suresh Peter Sirivennela Seetharama Sastry 4:01
4. "Oo Le Le Oo Le Le" Vasudevan, Srinivas 4:34
5. "Oorike Undadhey" K. S. Chithra 5:15
6 "Ardha Satabdapu" S. P. Balasubrahmanyam 5:31

Reception

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A critic for Andhra Today wrote, "Despite Krishna Vamsi's best efforts to excel at directing this movie with special technical effects to bring out the intensity of the extremist theme, it fails to impress his audience. In the name of realism, the director seems to defend the police encounters for a while, at the same time taking sides with the naxals with equal emphasis ending up in confusing the audience. As a result of all this storyline becomes week".[7]

Awards

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National Film Awards
Nandi Awards[5]

References

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  1. ^ Kumar, Sunil (17 November 1997). "I want to be a free bird". Rediff.com. Archived from the original on 4 March 2016. Retrieved 6 November 2017.
  2. ^ "I hated Slumdog Millionnaire". Rediff.com. 4 February 2009. Archived from the original on 7 November 2017. Retrieved 6 November 2017.
  3. ^ "45th National Film Awards" (PDF). Directorate of Film Festivals. Archived from the original (PDF) on 7 November 2017. Retrieved 11 March 2012.
  4. ^ "45th National Film Awards". International Film Festival of India. Archived from the original on 5 May 2014. Retrieved 11 March 2012.
  5. ^ a b "నంది అవార్డు విజేతల పరంపర (1964–2008)" [A series of Nandi Award Winners (1964–2008)] (PDF). Information & Public Relations of Andhra Pradesh. Archived (PDF) from the original on 23 February 2015. Retrieved 21 August 2020.(in Telugu)
  6. ^ "Interview with YVS Chowdary by Jeevi". 9 July 2002. Archived from the original on 25 September 2018. Retrieved 28 January 2019.
  7. ^ a b "Sinduram Review". Andhra Today. Archived from the original on 16 April 2002. Retrieved 25 August 2024.
  8. ^ a b c d Jeevi (16 July 1999). "Interview with Krishna Vamsi Part - 1". Idlebrain.com. Retrieved 2 January 2025.
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