User:Gulmammad
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This user has made thousands of contributions to Wikipedia. |
Contributions
• Sokolov-Ternov effect
• Hamilton's principal function
• Hamilton's characteristic function
• Experimental observation of Hawking radiation
• Particle number operator*
• Self-organization in biology*
• Aleksandr Chudakov
• Alexey Andreevich
• A. P. Balachandran
• Igor Ternov
• Mark Trodden
• Stanislav Mikheyev
• Alexei Smirnov*
• Shamil Asgarov
• Seifallah Randjbar-Daemi
• Habil Aliyev
• Ahmad Bakikhanov
• Aşık Khanlar
• Suleyman Valiyev
• Heino Finkelmann
• Tom Lubensky
• Lubna al-Hussein
• Sheylanli tribe
• Sheylanli
• Boyat
• Ashaghy Aylis
• Agbash
• International Liquid Crystal Society
• British Liquid Crystal Society
• International Centre for Theoretical Physics*
• ANS Group of Companies
• ANS TV
• ANS ChM
• Khudafarin Bridges
• Azerbaijan Time
• Yemen Türküsü
• Jujalarim
• Föppl–von Kármán equations
- * Didn't create but significantly contributed
Picture of the day
Magna Carta (An Embroidery) is a 2015 work by English installation artist Cornelia Parker. The artwork is an embroidered representation of the complete text and images of an online encyclopedia article for Magna Carta, as it appeared in English Wikipedia on 15 June 2014, the 799th anniversary of the document. The hand-stitched embroidery is 1.5 metres (5') wide and nearly 13 metres (42') long. The embroidery formed part of an exhibition celebrating the 800th anniversary of Magna Carta on 15 June 2015. It was displayed in the Entrance Hall of the British Library from 15 May to 24 July 2015.
Embroidery credit: Cornelia Parker; Scanned by British Library; edited by Bammesk
Today's featured article
The Combat: Woman Pleading for the Vanquished is an oil painting on canvas by English artist William Etty which is inspired by the Elgin Marbles and intended by the artist to provide a moral lesson on "the beauty of mercy". It shows a near-nude warrior whose sword has broken, forced to his knees in front of another near-nude soldier who prepares to inflict a killing blow. A woman, also near-nude, clutches the victorious warrior to beg him for mercy. Unusually for a history painting of the period, it does not depict a scene from history, literature or religion and is not based on an existing artwork. When it was shown at the Royal Academy Summer Exhibition of 1825, it attracted praise from critics for its technical excellence, its fusion of the styles of different schools of painting, and its subject matter. It was later bought by fellow artist John Martin and in 1831 he sold it on to the Royal Scottish Academy. It was transferred in 1910 to the National Gallery of Scotland. (Full article...)